Category Archives: Whisky Reviews

Nikka Taketsuru 12 yo and 21 yo

Nikka is one of the best-known makers of Japanese whisky – although its availability is quite limited in North America and Europe.

When you can find it, you are typically limited to a couple of the pure malt “colour” series, or the excellent Nikka From the Barrel. I plan to post commentaries on a number of those whiskies eventually, but would like to start with a couple of examples from the popular Taketsuru line – the 12 yo and 21 yo.

Named after Masataka Taketsuru – the founding father of Japanese whisky – these whiskies are examples of what is known in Japan as “pure malts” (often called “vatted malts” or “blended malts” elsewhere).

As I explained on my Single Malts vs Blends page, virtually all “single malts” are blends of different barrels of malt whisky – from the same distillery – vatted together. The only exception are limited specific cask releases (although even there, most of these are combinations of individual casks). The “blended malt” term (or its equivalent “vatted malt”) was developed to describe whiskies where the malt came from different distilleries – thus differentiating from “single” distillery malt blends. Technically speaking, these blended malts could consist of malt whisky produced by competing makers.

In Japan, the major makers typically have multiple distilleries under their own control – with each distillery specializing in different styles. Vatted Japanese whiskies from one producer’s set of distilleries are generally called “pure malts” there, to differentiate from the less specific “blended malt” moniker. Simply put, “pure malts” are just like “single malts”, except they come from a single producer instead of a single distillery.

As it turns out, the Taketsuru 21 yo is one of the whiskies that helped put Nikka (and Japanese whisky more generally) on the world map. Since it was first introduced into international whisky competitions, it has racked up an impressive number of gold medals and best-in-class awards and trophies. Most notably, it has won World’s Best Blended Malt Whisky at the World Whiskies Awards four times since 2007.

There has been a bit of a craze these last few years to obtain almost any Japanese whisky at reasonable prices. I actually managed to snag the Taketsuru 12yo a year-and-a-half ago at the LCBO for ~$70.  Unfortunately, I had to pay a lot more for the 21yo on a recent trip to Asia.

Part of the reason for this is that Nikka announced earlier this year a massive restructuring of their whisky brands – and the discontinuation of a lot of distillery-specific expressions. While the Taketsuru line will persist, there were immediate price increases (up to 50%, in the case of the 21 yo). And of course, given the relative scarcity, panicked demand buying drove up prices even further across the board. For the foreseeable future, I think you will find it hard to pick of either of these Taketsuru expressions at reasonable prices.

Which is a shame, because they are both quite nice for their respective age levels. Here’s how the Taketsuru line compares in my whisky database (recalling the overall average of ~8.5)

Taketsuru 12yo: 8.32 ± 0.35 on 11 reviews
Taketsuru 17yo: 8.82 ± 0.29 on 10 reviews
Taketsuru 21yo: 9.00 ± 0.34 on 8 reviews

These relative scores track very well with my experience.

Nikka Taketsuru pure malt 12yo bottleThe 12 yo has a nice and clean nose, with no off-putting aromas. The palate reminds me of a classic, floral-style Highland/Speyside Scottish single malt – although with the faintest touch of smoke here. I find it a little more complex than the common Glenlivet/Glenfiddich 12 yo, for example. The main problem is the finish – it disappears too quickly, and turns slightly bitter on the way out (so maybe that isn’t such a bad thing after all). If it weren’t for this unsatisfying end, I would have expected it to score higher for its respective age and flavour class.

The 21 yo in contrast is fairly sublime across the board. It has a much richer and fruity nose, with definite plum/prune notes (I’d swear there was sherry wood in there). Nicely caramelized body with excellent mouthfeel – a good mix of spicier notes on the palate, well balanced with the oak. The finish is long and lingering, with definite sweetness that is not cloying (and again, well balanced to the spiciness). This is a very easy to drink whisky!

For detailed reviews of these two whiskies, I suggest you check out the Nikka blended malt pages of the Quebec Whisky boys and Dramtastic. Jason of In Search of Elegance has recently reviewed both the 12 yo and 21 yo expressions (from samples of my bottles).

 

Lot 40

Lot 40 canadian rye whisky bottle

You can’t write a whisky blog in Canada and not mention Lot 40. 🙂

Lot 40 is made by Corby at the Hiram Walker facility (Corby is the same distiller responsible for the Wiser brand of whiskies). Lot 40 is actually a straight (i.e., 100%) rye whisky, and traces its ancestry back to the 18th century in Ontario, Canada. The name apparently refers to the lot where the distiller Joshua Booth’s farm was built. His whisky was resurrected by a descendent of the Booth family in the late 1990s as part of Hiram Walker’s short-lived Canadian Whisky Guild series.

Lot 40 apparently developed a strong (if small) following, and was profoundly missed when production ceased in the early 2000s. Corby brought it back in 2012, with similar composition and packaging. AFAIK, it is all produced from a single 12,000 L copper pot still at the Hiram Walker & Sons plant in Windsor, Ontario. Originally a mix of rye grain and a small amount of malted rye, they switched in 2013 to using 100% unmalted rye whisky (meaning enzymes have to be added). Later batches (e.g., 2015 onward) may also have received more extensive barrel aging, but no age statement is given.

Since its re-release, it has remained a continual favourite with critics and rye whisky drinkers alike – racking up an impressive series of awards. It scores 8.99 ± 0.30 on 13 reviews in my database – which is impressive both for absolute value and consistency. It edges out the Masterson’s Straight Rye 10yo (8.94 ± 0.44 on 12 reviews) and considerably out-competes the recent Canadian Club 100% Rye (8.64 ± 0.39 on 6 reviews). As previously discussed, I think the CC 100% Rye is a great whisky in its own right – but I have to agree that Lot 40 is better overall.

A truly stellar aspect of Lot 40 for me is its nose – a rich bouquet of baking spices and floral notes, with some dark fruits evident underneath. You can also smell the candied sweetness that is the characteristic of new charred oak barrels. Rich and complex, there are absolutely no false notes here­. Honestly I could smell it all night long (which, as my lovely wife has opined, would certainly make it last longer!). 😉

The palate is very pleasing as well, with much the same layered flavours as found on the nose. In addition to baking spices, it also reminds me a bit of the hot/sweet cinnamon candies I grew up on. However, I must admit that I find it doesn’t quite live up to the promise of that wonderful nose. As mentioned in my CC 100% Rye review, I actually like the more fruit-forward profile of the CC offering (as least as far as initial palate goes). Again, there is nothing offensive in the palate here – it is just a touch more subdued than I would have hoped for. Simply put, if the nose is a home-run, I’d rate the palate as a triple.

Lot 40 canadian rye whisky bottleThe finish is relatively long for a Canadian rye whisky, with a soft rye glow that fades into more typical vanilla sweetness (there’s that new oak again). A definite improvement over the very short-lived finish of CC 100% Rye. Again, it’s not going to compete with an expressive single malt, but it is a nice (if fairly simple) finish for this class of whisky.

Lot 40 is the first whisky that really got me appreciating the Canadian rye style. Like many people, I previously tended to turn my nose up at our home and native hooch. If you haven’t tried it, Lot 40 is a real eye-opener. It’s also a great bargain at $40 at the LCBO.

For typical Canadian reviews, you can try the rumhowler’s blog, Whisky Won, or CanadianWhisky.org. For some international perspectives, you can check out the Scotchnoob or WhiskyNotes.be.

Chivas Regal 12 Year Old

Chivas Regal blend 12yo bottle

If you are just starting to explore the world of whiskies, there are a few generalizations that can actually be helpful (unlike all the misleading ones that I describe here). Specifically, when it comes to blended Scotch whiskies, most of these were not intended to be drunk neat (aka, straight). While decent blends certainly exist, single malts are widely available to fill that higher-end market niche. And so, most Scottish blends are typically engineered to be best suited to mixed drinks or cocktails. Note that that this is not necessarily the case in other jurisdictions, but it is a good rule of thumb for the lower-priced Scotch blends.

But it is also important to keep this feature in mind when perusing reviews. Typically, most expert reviewers only discuss sampling their whiskies neat (with perhaps a bit of water). This is understandable, as it allows them to explore flavours in the greatest detail, in a consistent way. But you may be missing out on an important piece of the puzzle if that doesn’t match how the whisky is commonly consumed (or was intended to be consumed).

Which brings me around to the point behind this commentary – the common Scotch blend, Chivas Regal 12 year old. This is probably the second-best seller in this class after Johnny Walker Black Label, and is especially popular in the US. Yet while JW Black gets an above-average score for a blend (and is certainly quite drinkable neat, in my view), the Chivas Regal 12yo comes in fourth-to-last among all Scottish blends in my Metacritic database: 7.78 ± 0.43 on 15 reviews.

As an aside, don’t let the seemingly high standard deviation mislead you – pretty much none of the reviewers here likes it much. 😉 Only one reviewer gives it mid-range rank – the rest all place it in their bottom 20th percentile (indeed, five of them put it in their lowest 5th percentile). As described here, one of the features of scoring is that higher-ranked items invariably have a lower standard deviation (because they couldn’t be highly ranked otherwise!).

Now, back to the matter at hand: So why does this Scotch place so low in the database, when it seems to sell quite well (and is higher priced than most entry-level blends)? The secret to understanding this is to recognize that Chivas Regal 12 yr old was specifically re-engineered in the 1950s for the palate of “scotch-and-soda” drinking Americans and Englishmen.

Personally, I find it to be a generally boring whisky when served neat – except for a rather unpleasant and harsh grassiness that doesn’t balance well at all with its light sweetness. On the bright side, at least it doesn’t have much of a finish. But this is certainly not one that I want to sip neat – and neither does anyone else that I’ve served it to. This is consistent with the low expert score in the Metacritic database.

But what happens if you serve it the way it was apparently intended to be – that is, combined with soda water? For those of you not familiar, soda water is carbonated water that has some sodium in it – such as Club Soda here in Canada. The sodium component is important, as it tends provide a subjective “drying” effect, that encourages you take another sip.

Typically, scotch-and-soda drinkers mix scotch into soda water anywhere from 1 part in 2, to 1 part in 5 (i.e. 1:1, down to 1:4 scotch:soda). I have experimented on the Chivas Regal 12, and find something almost magical happens around 1:3. Suddenly, all the unpleasant characteristics disappear, and the floral and nutty notes are amplified in a refreshing mix. It’s really quite the startling transformation. When served this way, on the rocks, I’ve seen people happily finish the glass. These would be the same people who politely handed me back the Glencairn after a single sip, when served neat. 😉

My point here is that this is one low-ranked whisky where I believe the combined wisdom of the meta-critic score has it right. But that score really only applies to drinking it neat or with a bit of water. If you are scotch-and-soda drinker, I find this blend works better than most of the others I’ve experimented with.

Chivas Regal blend 12yo bottleBy the way, pronouncing this brand is actually a bit tricky. Most Scots seem to go for something that sounds like SHIV-us or SHIV-is (whereas some in other parts of the UK may go more for CHIV-vers). Americans tend to go more for a SHEE-vus pronunciation, and I’ve even heard SHEE-vass. It seems like only thing everyone agrees on is that it is definitely not to be pronounced CHEE-vis (so, no Chivas and Butthead jokes please). 😉

If you are interested in trying an inexpensive Scottish blend for sipping neat, I’d suggest Johnny Walker Black or Té Bheag. But if (like me) you were gifted a bottle of Chivas Regal 12 yo and don’t know what to do with it, I’d recommend breaking out the club soda. You could also try mixing with other popular options, like coke, ginger ale or coconut water – but I’ve found club soda to do the best job.

For expert reviews of this whisky, you can check out any of the ones on my master review list.  They pretty much all say the same thing. 🙂

Alberta Premium

Some things mystify me in the whisky reviewing world (okay, many things!). When looking into entry-level expressions, sooner or later I come across a reviewer who just seems to love one of these cheap budget products. Now, in the case of the entry-priced Canadian Club 100% Rye, I could understand that – it is actually an impressive quality product, clearly priced low to gather attention. But outside of the fictional Don Draper, I can’t imagine anyone actually recommending standard entry-level Canadian Club (aka “CC Premium”) as a top-pick in the world of whisky.

The recently discussed Alberta Premium Dark Horse is another example of an excellent bargain, as it is typically priced just a few dollars more than the base Alberta Premium. But what to make of the entry-level Alberta Premium? Identified as a straight 100% rye grain whisky, Alberta Distillers explains on its website that it is a blending of two whiskies, one of which is a “flavouring whisky” that was aged in used bourbon casks. The final product has apparently been aged for 5 years.

For an entry-level expression, Alberta Premium has an impressive Meta-Critic Score – a just slightly below average 8.37 ± 0.51, based on 9 reviews. Could a mass-produced Canadian rye whisky really compete on that scale, across all whiskies in the database?

The tip-off that something unusual is going on here is the fairly large standard deviation above. Basically, two reviewers love it, putting it in the top ~15-20% of all their whisky reviews. One reviewer finds it about average. The rest didn’t care for it much – with four putting it in the bottom ~15-25% of all whiskies tasted. I describe a slightly more balanced example of this divergence phenomenon with the Glenfiddich/Glenlivet 18 year olds here. In the case of AP, I personally have to side with the majority opinion and consider this to be one of the least interesting rye whiskies I’ve tried.

That said, I don’t find anything seriously wrong with it. For me, many whiskies at this price point are marred by undesirable characteristics in either the nose or finish (and would most likely benefit from extended aging to help smooth out the base spirit further). Although Mrs Selfbuilt reports a distinctly chemical solvent smell and taste to AP, I find it to be relatively inoffensive (for this entry level class). I just don’t see what there is to recommend it. Given its somewhat bland nature, I can only presume AP is designed to appeal to those who plan to use it as a rye for mixed drinks (given its lack of a strong character, one way or the other).

But there is one thing that is distinctive about Alberta Premium – the distribution of bottle sizes. I recently did an analysis of Canadian whisky inventory at the LCBO. Like most entry-level Canadian whiskies, Alberta Premium is available in a wide range of bottle sizes. However, unlike the industry heavyweights, the distribution of sizes for AP is skewed to smaller-than-typical bottles. Here is a comparison to the entry-level expressions from Canadian Club (Premium/Classic) and Gibson’s (12yo/Sterling):

Canadian whisky bottle size distributionMost high-volume distillers offer their entry level products in patterns similar to Canadian Club (roughly equivalent numbers of different size bottles) or Gibson’s (weighed toward larger bottle sizes). AP differs in that it offers a proportionally large share of smaller sized bottles, at least in Ontario.

Alberta Premium bottleOne possible inference from this is that the other makers already have significant market share, and are thus able to more easily sell large bottles of their product. In this interpretation, AP may be trying to get people to taste their product by offering it predominantly in smaller bottles. After all, you are more likely to take a chance on new product if it is in a small bottle at a lower price. Of course, the opposite interpretation would be that they may figure their best option to sell the stuff is by keeping the price particularly low to move inventory. 😉

In any case, to get some contrasting views of Alberta Premium, please check out the Quebec Whisky site. Whisky Won is another review site that I think has the measure of this whisky.

Alberta Premium Dark Horse

Albera Premium Dark Horse bottle

Alberta Premium Dark Horse is a very distinctive offering in the Canadian landscape.

Known for their expertise in producing 100% rye whiskies, Alberta Distillers has produced an unusual beast with their Dark Horse (also known as Alberta Rye Dark Batch in the US, due to copyright issues with the dark horse name).

Alberta Distillers has been up-front about what is in here. Most of the bottle (~90%) is a mix of two types of Canadian rye whisky: High ABV rye aged for 12 years in used barrels, and low ABV pot still rye aged for 6 years in new barrels. Rounding out all that rye whisky is ~8% of US-made bourbon (believed to be Old Grand-Dad – we’ll get back to this in a moment). But the really distinctive element is ~0.5-1% sherry added directly to the mix. The final whisky is then aged in heavily-charred American oak barrels, bottled at 45% ABV, and sold at a very competitive price.

While the addition of actual sherry into the mix may seem like a cheat to single malt fans, it is the net effect of traditional aging of whiskies in ex-sherry casks. I’ve seen estimates online that 500L first-fill casks can contain up to 7L of the previous product (stored in the wood staves). Over time, this migrates and mixes with the new make product, producing a distinctive end result (i.e., a sherry bomb whisky). Rather than aging Dark Horse in (expensive) first-fill sherry barrels, they went right to the horse’s mouth (sorry!) and simply added in an equivalent amount of actual sherry before aging in traditional barrels. This makes Dark Horse a sherry-bomb version of a Canadian rye whisky.

But what about the main elements of the mix, specifically that corn whisky? Note that despite the “rye whisky” moniker, most Canadian whisky is actually a blend of a relatively small amount of low-proof rye “flavouring” whisky added to high-proof grain whisky. Sometimes that includes Canadian-made corn whisky in the mix.

While this composition may seem odd, it makes perfect sense once you know about the 9.09% rule. A long time ago, it was decided that you could add 1/10 volume of non-Canadian whisky to a Canadian whisky and still allow it to be sold as such. Legend has it that this was to allow Canadian whisky to be sold in the US under generous tax break exemptions given to US products. Basically, Canadian distillers would import cheap US-made Bourbon, add it to Canadian whisky (up to 9.09% final volume, which is an additional 1/10) and then sell the concomitant blend back in the US as “Canadian whisky” and reap a tax break.

Here in Canada, there was no need to actually use US bourbon. Apparently, distillers just kept the original Canadian formulations intact for the products intended for domestic consumption. This was possible since the US versions were adjusted to match the standard Canadian flavour profile. But this practice seems to only have been applied to value blends destined for mixing – premium products are a different story.  While it was initially reported that Dark Horse would be using Canadian corn whisky (done bourbon-style), this was quickly corrected by Beam-Suntory, who were open about the use of US bourbon from the beginning.  At some point, they also confirmed that it was Old Grand-Dad bourbon specifically (although I can’t find an official published source for that).

FYI, there’s a good public article about the 9.09% rule – as it applies to the US-release of this whisky – by Davin de Kergommeaux on Whisky Advocate.

Personally, I find the Dark Horse to be an exceptionally good value in the Canadian whisky landscape. The Meta-Critic database seems a bit mixed on this one though, giving it an 8.67 ± 0.36 on 11 reviews. While that is above average for a Canadian whisky, it is still toward the mid-range of scores in this category. But you can’t beat the price – along with CC 100% Rye, this is a quality product masquerading at an entry-level budget price. It is different though, so I would recommend it to fans of Canadian rye who are looking to expand into new flavour profiles.

Probably the most positive review I’ve seen of the Alberta Premium Dark Horse is by Davin de Kergommeaux. Jason Hambrey gives a more typical rating on his Whisky Won site.Albera Premium Dark Horse bottle

Something else that stirs up mixed feelings about this whisky – its suitability for mixed drinks (sorry for the pun). 😉 Because of the strong sherry influence, I would have thought that this whisky is best served as a gentle sipper (preferably neat). Dave Broom seems to agree – in his mixed-drink book The Whisky Manual, he gave this whisky relatively low scores when mixed with five classic mixes (i.e., Soda, cola, ginger ale, coconut water and green tee). But he does point out that it could work well in a sazerac style cocktail. According to David de Kergommeaux in the earlier link above, Dark Horse has apparently become a popular mixing rye in bars, as well as a bartender’s favourite for their own concoctions. Hopefully you will enjoy experimenting with this versatile and distinctive Canadian whisky.

Auchentoshan 12 Year Old

Auchentoshan 12yo bottle

Another relatively unloved single malt in my Whisky Database, I thought I’d put in a good word for the Auchentoshan 12 year old (pronounced OCKen-TOSHan).

Auchentoshan is one of the few Lowland distilleries still operating in Scotland. This style of whisky is typically characterized as “lighter” than most other single malts. Although you shouldn’t rely on geographical location for flavour, as previously observed, this is one case where the traditional triple-distilling method of lowland malts does produce a gentler base spirit. That said, there is more flavour to this malt than you might expect, earning it a spot in the E flavour cluster in this analysis.

As previously presented here, delicate whiskies get lower overall metacritic scores compared to more complex ones. As such, the 8.33 ± 0.30 (based on 16 reviews) for the Auchentoshan 12 yo is a very middle-of-the-road score for its flavour class. Note that this is significantly improved over the earlier Auchentoshan 10 year old and Classic expressions, which were more poorly received (and by all accounts, even lighter in flavour). The current Duty-Free expressions – typically identified by a certain type of wood for finishing – are similarly not well regarded by the critics (although I don’t currently track them in my database).

In the interest of full disclosure, I will admit to having a soft spot for this whisky – it was the first bottle that I actually purchased (although I still kick myself for letting a Scotch Malt Whisky Society bottling of a 21 yr old Glenlivet pass me by a few months earlier). Up until this Auchentoshan, the common Glenlivet/Glenfiddich 12 yr olds or Johnny Walker Black were my entry-level introductions to the world of Scotch whiskey (as they are for many). The Auchentoshan 12 yo was suggested to me at a tasting bar as one to try next, and I was very impressed by its sweet maltiness and dry oakiness (and light touch of caramel throughout).

Not being a fan of cloying fruity/floral sweetness, this was a refreshing change for me – and I bought a bottle on the spot. Like many, my tastes have expanded over the last couple of years, and I can now appreciate most anything (although I am not a fan of the young, medicinal members of cluster J). Personally, I now tend to gravitate toward the well-aged members of the cluster A-C whiskies. But I still enjoy returning to this old favourite on occasion, when looking for something uncomplicated.

Auchentoshan 12yo bottleAnother reason for the soft spot – this is also one of my wife’s favourites. 🙂 She is not a fan of the heavily “winey” or “smokey” single malts in my collection, and prefers this expression over most others. The Hibiki 17 year old and the Dalwhinnie 15 year old are also high on her list – as they are with most novice whisky drinkers.

And that’s the secret to the Auchentoshan 12 year old – it goes over well with almost everyone who tries it. If there were such thing as a “universal donor” among whiskies (i.e., something that all could accept), this is the closest I’ve found to date. For literally only a few dollars more than the ubiquitous (and innocuous) Glenlivet/Glenfiddich 12yr olds, you get a much nicer experience here. Highly recommended if you are just starting out.

Probably the most positive review I’ve seen for this whisky is on the RumHowler blog. Jim Murray also seems to be a relative fan. For a balanced perspective, you may want to check out Ralfy’s video blog.

Incidentally, this bottling  made it onto Esquire’s Seven Best Scotch Brands Under the Radar You Need to Know.

 

 

 

Hibiki 17 Year Old

Hibiki 17yo bottle

Note: This commentary has been updated with the expanded scores from the Oct 2015 build of my Whisky Database.

The Hibiki 17 year old is an interesting whisky to profile. It is exceedingly rare outside of Japan, so there were initially very few reviews of it in my Whisky Database. I initially hesitated in including it in the list at all, given how oddly low three of those reviews were – although the overall average is now a more reasonable 8.75 ± 0.43 on 8 reviews. The more budget Hibiki 12 year old (which until recently was more widely available) gets a reasonable 8.65 ± 0.27 score on 13 reviews.

Personally, I was so impressed with the 17 yo on my first trip to Japan that it became the one bottle that I chose to bring back through duty free (Canada has strict import limits). There were a number of other whiskies that I had thought I might return with – but the Hibiki 17 yo was a surprise hit for me. Since then, everyone who has sampled from my bottle has been very impressed – from newbies to experienced scotch drinkers alike. In fact, I’ve had to ration tastings from that first bottle, to ensure as many as possible could try it at least once. 😉

The Hibiki line is actually blended whisky, not pure malt. This surprises almost every experienced whisky drinker who tries it, as you do not taste any of the typical “graininess” or rounding-off of flavour common to traditional Scottish blends (even higher-end ones). Again, the age statement is only a minimum – everything in there (including the grain whisky) is at least 17 years old. Suntory certainly seems to know how to age grain whisky well. Everyone who has tried mine just assumes this is a single malt, given its flavour and quality.

Here’s what I find in the glass:

Nose: Sweet and rich aromas of raisins, sultanas and plums. Lots of toffee and butterscotch. Definite honey. A great nose, it’s a pleasure to come back to it between sips

Palate:  Same flavours as the nose, initial sweetness with the raisins/sultanas and some softer tropical fruits, like honeydew melon (although that could be the honey poking through again). Caramel/butterscotch again as well. It has a somewhat oaky backbone, with the sweet vanillins yielding to dryer woody/paper notes over time. A pleasant tingle as it goes down, with the hint of something spicy/peppery at the end. A very well balanced palate.

Finish: Remarkably long-lasting, with a good mix of after-glowing sweetness from the caramel/butterscotch, balanced with a slightly bitter oakyness, and a touch of cinnamon to round it all off.

Although heavily over-used in the whisky world, the best word I can use to describe this whisky is “smooth”. The main flavours are consistent across the nose, palate and finish (which is actually rare in the whisky world). Sweet but never cloying, well balanced with a slightly bitter hint of wood and spice at the end. There is also nothing “sharp” here either – the flavours are well balanced, leading to a very enjoyable experience (with a very prolonged finish).

This gets back to why I think it gets mediocre scores from some reviewers – it doesn’t have strong characteristics that come out and attack the senses at any point. Those craving unique experiences typically want something distinctive and unusual (i.e., sharp, not smooth). But almost everyone who has tried it in my house wants a second glass – and that is pretty rare in the structured tastings I’ve done. It definitely grows on you.

Note that the Hibiki 17 yo comes in the same decanter-style, glass 24-sided presentation bottle as the 12 yo (with a parchment paper label and heavy glass stopper). This is unusual as well, given the rather minimalist presentation of most Japansese whiskies (lucky owners of any of the Nikka pure malts – or Nikka from the Barrel – will know what I mean).Hibiki 17yo bottle

The Hibiki 17 is famous for another reason – it is the actual whisky that Bill Murray’s fictional character is seen promoting in the 2003 film, “Lost in Translation“. I can only assume the filmmakers chose the whisky given the cachet it has in Japan.

Regardless of the metacritic score here, I think anyone lucky enough to get their hands on a glass of the 17 yo (or failing that, the quite decent 12 yo) will definitely be inclined to “make it Suntory time”! 😉

For a fair review of the Hibiki 17 yo, I recommend you check out one of the best english-language Japanese whisky sites: Dramtastic’s The Japanese Whisky Review. Thomas of Whisky Saga also has a good balanced overview of this expression. Josh the Whiskey Jug has recently reviewed it as well.

 

 

BenRiach 12 Year Old Matured in Sherry Wood

BenRiach 12yo Sherry Wood bottle

Following up on my recent commentary of the GlenDronach 12 yr, I thought I would put in a word for the 12 year old, similarly sherried expression released under the BenRiach name (who also owns GlenDronach).

There is not a lot of information on this expression online, which is surprising given its price – like the GlenDronach, this is a remarkably affordable young “sherry-bomb” at the LCBO (currently ~$67 CAD). The BenRiach 12 yo Matured in Sherry Wood gets a very good composite score in my Whisky Database, at 8.80 ± 0.26 on 9 reviews.

I recently received a bottle of this BenRiach expression for Father’s Day, and was surprised to find how different it is from the GlenDronach. As discussed in that commentary, the GlenDronach 12 yr is actually from much older stock than the label indicates (i.e., my early 2014 bottle contains whisky that is a minimum of >17-18 yrs old). But the base spirit from GlenDronach is clearly quite different from BenRiach – I find the BenRiach to be a much gentler dram, with a more more delicate underlying base.

BenRiach 12yo Sherry Wood bottleTo my mind, this would make the BenRiach 12 yo Matured in Sherry Wood a much better choice for newcomers to single malts (especially newcomers to sherried malts). Despite the classic sherry sweetness up front, this expression is definitely on the drier side going out – compared to most sherried malts I’ve tried. And this is something I find inexperienced whisky drinkers typically prefer, as many are put off by excessive or sustained sweetness (and overwhelming flavour and complexity).

If I were to sum up the difference, I think the GlenDronach is a great choice for experienced sherried malt drinkers who are looking for distinctiveness. That said, the BenRiach 12 yo Matured in Sherry Wood is still something that I think everyone may enjoy, given its good balance of flavours and easy drinking nature.

For a good concise review of this expression, please check out Dramming.com. The boys at QuebecWhisky have reviewed what they call a “Sherry Cask” version of the BenRiach 12 yr, but it sounds from the description that the flavour profile is much the same (as is the photo).

 

 

GlenDronach 12 Year Old “Original”

GelnDronach 12yo bottle

The GlenDronach 12 year old is a popular entry-level example of the “sherry bomb” style of single malt whisky. It earns an above-average rating in my Whisky Database for the ABC super cluster: it currently receives an 8.68 ± 0.25 on 14 reviews (the overall average for this ABC group is ~8.55).

I have picked it to highlight in this commentary for a number of reasons. For one, although it receives a fairly consistent average-to-slightly-above score from most reviewers, there is at least one reviewer who rates this as a top pick. It is also an exceptional value in the ABC group, especially in Ontario (only $66 CAD at the LCBO). And it has a surprising amount of flavour for a supposedly young “12-year old” expression.

This last point is the most interesting to me. The GlenDronach 12 yr was first released in 2009, after the distillery had been sold to BenRiach. But the GlenDronach distillery had been shut down between 1996 and early 2002. So under the rules of single malt labeling, they had to rely exclusively on the pre-1996 stock to make these bottlings. At time of launch (in 2009), that meant the minimum age of the whisky in those bottles was at least 12-13 years old, depending on the exact end date of production in 1996 (but most was likely much older, for reasons I’ll explain below).

By 2010, the source barrels for that year’s “12 yo” bottlings would have to have been at least 13-14 years old. This trend continues up to the 2013 bottlings, where the minimum age going into those “12 yo” bottles could not have been younger than 16-17 years old. It is only at some point in 2014 that they would have been able to start using some of the new make 12-year old whisky in the vattings (and I’m going to guess not much – again scroll down for an explanation).

Given how production actually works (see my understanding single malts page for more info), it is highly unlikely that they would have blown-out all their late 1995/1996 stock in the first production runs of the GlenDronach 12yr. It is more likely that the blend of whiskies used in the vattings for those early bottles was heavily biased toward older barrels even at the start, in order to maintain some consistency in vatting over subsequent production runs. I say this because at the time of launch of this expression in 2009, they already knew that they wouldn’t be able to use any new make before some time in 2014. And given that the new make was not likely to be same as the old (due to differences in production methods), they presumably are still using a lot of that aging old stock in the current bottlings (to maintain consistency).GelnDronach 12yo bottle

For more info, this back-story is described in an excellent blog post on Words of Whisky. But do scroll down through the comments, as the included chart in the article is off by one year in its calculations (i.e., whisky made in 2002 would only be 1-year old in 2003, etc.).

Anyway, this helps explains why the GlenDronach 12 yr tastes remarkably robust for its apparent low age statement. So if you like that sort of thing, then you might find this to be an exceptional value. Note that some people online have complained about a “bitterness” in the palate/finish (which likely relates to differing abilities to detect sulfur compounds, as discussed here).

I plan to post a commentary soon on how the BenRiach 12 yr old Matured in Sherry Wood compares (hint: that is a gentler dram, better suited to beginners interested in trying something in the sherried class). UPDATE: commentary posted.

But for those of you who are already fans of the well-aged style of single malt, I recommend you check out these two very positive reviews for more info on this particular whisky: The Scotch Noob and Ralfy.

 

Canadian Club 100% Rye

Canadan Club Chairman's Select 100% Rye bottle

The Canadian Club Chairman’s Select 100% Rye is an interesting innovation to the somewhat staid CC line of whiskies.

The premier U.S. spirits-maker Beam was acquired by Japan’s Suntory early last year (and with it, the well-known CC brand, which was in Beam’s stable at the time). This set the stage for a shake-up of the Canadian whisky scene, as Suntory already owned Alberta Distillers – which is a premium source of Canadian rye whisky. After much careful experimentation with this Alberta source stock by the Beam-Suntory craft makers in Kentucky, a new straight rye whisky was born – under the popular CC label. You can read more about the fascinating story of its creation in Davin de Kergommeaux’s blog post on the Whisky Advocate site.

What’s surprising to me is the price – at $27.45 CAD (list price) at the LCBO, this CC 100% Rye whisky is priced the same as the somewhat entry-level CC Reserve. But it is frequently on sale for $25.95, which is even cheaper than even the regular base CC (aka CC Premium). And it clearly does a lot better than the entry-level CC whiskies in my Meta-Critic dataset:

  • Canadian Club Premium ($26.35): 7.28 (±1.22 on 11 reviews)
  • Canadian Club Reserve 9yo ($27.45): 8.07 (±0.54 on 4 reviews)
  • Canadian Club Classic ($28.45): 8.35 (±0.37 on 10 reviews)
  • Canadian Club 100% Rye ($27.45, on sale $25.95): 8.66 (±0.38 on 5 reviews)

To put those numbers in context, the average Meta-Critic score in my database for all Canadian whiskies is 8.44. That puts the CC 100% Rye at well above average, despite having one of the lower price points in the whole dataset.

Canadan Club Chairman's Select 100% Rye bottleWhat is interesting to me is the taste – this is a fabulous straight rye whisky in my view, far belying its budget price. I have brought this one out during structured whisky tastings at my house, and have surprised quite a number of my guests once I revealed the price.

In those sessions, I have always done direct head-to-head (nose-to-nose?) comparisons to the popular Lot 40 from Corby – also a 100% Canadian Rye, priced at $40 at the LCBO, with a Meta-Critic score of 8.97 (±0.26 on 10 reviews). Surprisingly, it tends to be an equal wash of who prefers the CC 100% Rye and who favours the Lot 40. Invariably, most agree that the Lot 40 has a better nose, but a number of people have commented that they like the more “fruity” body of the CC 100% Rye (i.e., it’s more fruit-forward on the palate).

Personally, I don’t think you can’t go wrong with either – although the Lot 40 does have more to offer the experienced Rye drinker. But at this bargain-basement price, I would definitely encourage every Canadian whisky drinker to give this one a shot.

Davin de Kergommeaux has a clear and concise review of the CC 100% Rye on the Whisky Advocate website. For a more detailed review with tasting notes, please check out Whisky Won.

As always, interested to hear your feedback below.

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