Author Archives: selfbuilt

J.P. Wiser’s Last Barrels

Here is something you don’t see every day: a limited small-batch release from a major Canadian producer, with a defined age statement, higher proof ABV, and a completely different production method than what is typically done in Canada. Thank you J.P. Wiser.

Last Barrels is the result of an experiment performed by former Wiser’s distiller Jim Stanski in early 2001 – and one that Wiser’s has now decided to bottle on its own as a limited run (instead of blending into a larger mainstream product).

The first novelty here is the use of a custom mashbill. Typically, most Canadian whisky is a blend where the individual grains are distilled separately and then later combined. Here, Wiser’s has used the traditional American method for bourbon production of blending the grains before mashing them. They are also using a very traditional bourbon-like mashbill of 80% corn, 11% rye and 9% barley (although this recipe supposedly relates to one J.P. Wiser experimented with himself).

The other innovation is the introduction of a sour mash process here. Sour mash is used in the production of nearly all bourbon, but is typically not used in Canada. Normally, it involves using left-over spent material from an older batch of mash to start controlled fermentation in the new batch (somewhat akin to what you do in making classic sourdough bread). Acids introduced by using the sour mash control the growth of bacteria, and create a proper pH balance for fermentation by the active live yeast.

Since Canada doesn’t use this method (and typically relies on a more sterilized process), Stanski’s innovated with a common sense solution – he let milk out in the lab to go sour, and then harvested the resulting Lactobacillus species. Although not usually done for whisky, it is common to use Lactobacillus as a “starter culture” for controlled fermentation in yogurt, cheese, beer, and sourdough bread, among other things.

The end result is a very boubon-like whisky (albeit one aged in ex-bourbon barrels, rather than new oak). Aged for 14 years and bottled at 45% ABV, this is certainly the most bourbon-like Canadian whisky I’ve tried so far.

Note that only 132 barrels were produced in the end, making this a very limited release. The LCBO bought out all 2000 cases, and has been releasing them across their network over the last couple of weeks.  While initially focusing exclusively on the Greater Toronto Area, I’m starting to see some bottles showing up in inventory further afield (with a little under 800 bottles currently showing through their app).

I picked up a bottle for $65 CAD at a nearby LBCO. I expect these will go fast, so you will want to hunt one down soon if you are intent on trying it. Here is what I find in the glass:

Nose: Caramel upfront, with vanilla. Sweetened Granny Smith apple juice, with maybe a touch of cherry – there is definitely something tart in there. Oak char. Very slight solvent smell (rubbing alcohol?), but it doesn’t really have an alcohol burn. A bit light overall, but definitely bourbon-like (reminds me a bit of Basil Hayden’s, but with less rye).

Palate: Not as sweet as the nose, but you definitely have the vanilla and caramel notes coming through strongly. Fairly intense dry oakiness develops quickly, with significant woody bitterness. Sour patch candies. And tons of pepper – if you take too big of a sip, expect to experience that classic “pepper-up-the-nose” sensation. Feels a bit hot (likely due to the 45% ABV). But it is the peppery after-burn that really stands out for me. Unlike the soft nose, the palate reminds me of some of the classic mid-level bourbons with relatively flavourful bodies (e.g., Elijah Craig 12yo or Eagle Rare 10yo).

Finish: Lingers a fairly long while, with a mix of the slightly sweet fruit and bitter wood initially (more the latter). Fades while keeping some of the spicy pepper and vanilla right to the end. Thankfully, there are absolutely none of those artificially-sweet notes found on typical budget Canadian blends.

Wiser’s has definitely succeeded here in making a “Canadian bourbon”, if you ask me. In a blind tasting, I seriously doubt you would be able to identify this as a Canadian whisky – it tastes like a bourbon, with a fair amount of oaky flavours. It is lighter on the nose than most bourbons, though.

There are very few reviews online so far, but you can check out Davin at Canadian Whisky and Whisky Advocate, Jason of In Search of Elegance, and Redditor Devoz. Here’s a preliminary Meta-Critic comparison to some other similarly-priced Canadian whiskies.

Collingwood 21yo: 8.64 ± 0.43 on 9 reviews ($$$)
Crown Royal Hand Selected Barrel: 8.79 ± 0.28 on 8 reviews ($$$)
Crown Royal Reserve: 8.53 ± 0.65 on 13 reviews ($$$)
Forty Creek Confederation Oak (All Batches): 8.80 ± 0.39 on 18 reviews ($$$)
Gibson’s 18yo: 9.07 ± 0.36 on 10 reviews ($$$$)
Gooderham & Worts Four Grain: 8.65 ± 0.34 on 8 reviews ($$)
Lot 40: 8.92 ± 0.40 on 18 reviews ($$)
J.P. Wiser’s 18yo: 8.68 ± 0.40 on 14 reviews ($$$)
J.P. Wiser’s Last Barrels: 8.87 ± 0.31 on 4 reviews ($$$)
J.P. Wiser’s Legacy: 9.05 ± 0.36 on 15 reviews ($$)
J.P. Wiser’s Red Letter: 8.92 ± 0.36 on 11 reviews ($$$$)

Wisers.Last.BarrelsAgain, you can’t really say much from only 4 reviews. But it does seem like Last Barrels is trending around the level of the standard-bearer Lot 40. Here is how it compares to typical American bourbon whiskies in this price range.

Baker’s 7yo: 8.79 ± 0.31 on 15 reviews ($$$)
Blanton’s Single Barrel: 8.65 ± 0.34 on 17 reviews ($$$)
Basil Hayden’s: 8.40 ± 0.26 on 12 reviews ($$$)
Booker’s Small Batch: 8.92 ± 0.27 on 12 reviews ($$$)
Bulleit 10yo: 8.53 ± 0.41 on 10 reviews ($$$)
Eagle Rare Single Barrel 10yo: 8.56 ± 0.33 on 18 reviews ($$)
Elijah Craig 12yo: 8.73 ± 0.31 on 19 reviews ($$)
Elmer T. Lee Single Barrel: 8.77 ± 0.42 on 12 reviews ($$)
Evan Williams Single Barrel: 8.72 ± 0.27 on 14 reviews ($$)
Four Roses Single Barrel: 8.72 ± 0.36 on 18 reviews ($$$)
Jack Daniel’s Single Barrel: 8.51 ± 0.31 on 14 reviews ($$$)
J.P. Wiser’s Last Barrels: 8.87 ± 0.31 on 4 reviews ($$$)
Knob Creek Single Barrel Reserve: 8.82 ± 0.37 on 9 reviews ($$$)
Maker’s Mark 46: 8.84 ± 0.21 on 14 reviews ($$$)

Certainly a good performer for the price so far, consistent with other bourbons available at the LCBO.

Bunnahabhain 12 Year Old

Bunnahabhain is a Scottish distillery that lies on the north-eastern tip of Islay, just north of Caol Ila. And like its nearest neighbor, most of its expressions are a lot milder than what you would typically associate with Islay (i.e., not smokey or peaty).

The reason for this is that Bunnahabhain apparently doesn’t use peated malt for its core line. At least, that is what is commonly reported online. The distillery website actually drops phrases like “lightly peated” or “minimal peating” occasionally, which is a definitely ambiguous. But most would agree that there is no real peated malt in the core age-statement line. That said, in more recent years, they have started making some heavily peated “Bunnys”, like Ceòbanach and Toiteach.

Here is how Bunna 12 yo fares relative to other unpeated 12 yo single malts:

Aberlour 12yo Double Cask Matured: 8.37 ± 0.17 on 10 reviews ($$$)
Balvenie 12yo Doublewood: 8.45 ± 0.38 on 17 reviews ($$$$)
BenRiach 12yo Matured in Sherry Wood: 8.72 ± 0.23 on 10 reviews ($$$)
Bunnahabhain 12yo: 8.55 ± 0.35 on 13 reviews ($$$)
Cardhu 12yo: 8.11 ± 0.49 on 17 reviews ($$$)
GlenDronach 12yo Original: 8.60 ± 0.24 on 18 reviews ($$$)
Glenfarclas 12yo: 8.62 ± 0.39 on 14 reviews ($$$)
Glenfiddich 12yo: 8.07 ± 0.26 on 21 reviews ($$$)
Glenlivet 12yo: 8.03 ± 0.32 on 18 reviews ($$$)
Glengoyne 12yo: 8.52 ± 0.44 on 9 reviews ($$$)
Redbreast 12yo: 8.80 ± 0.44 on 19 reviews ($$$)

The Bunna 12 yo is sort of middle-of-the-pack here, if you don’t count the ubiquitous entry-level Glenfiddich/Glenlivet malts (which are lighter tasting and rank lower).  Thanks to redditor xile_ for the sample tasted here.

I don’t normally discuss colour (since this can be manipulated), but the Bunnahabhain 12 yo has no colour added and is not chill-filtered (hurrah!). It has a rich pancake syrup colour, indicating a certain amount of sherry cask influence in the mix. Here is what I find in the glass:

Nose: Sweet, with definite sherry overtones – milk chocolate, raisins and prunes most especially. Overall, very light-bodied though (i.e., this is no sherry bomb). Honey and apple are also prominent. Something vaguely coastal or woody, but no real peat or smoke. Also no nose tingle, or any false notes. Bodes well for what is to come.

Palate: Highland Park-like initially, with sherry sweetness upfront followed by an underlying bitterness underneath (tree bark? coffee?). I normally associate this sort of bitter note with smokey whiskies, but I am not really getting any smoke here. A bit of honey and vanilla. Slightly nutty. Has a relatively light taste and mouthfeel overall, despite the 46.3% ABV. However, a touch of water might help with the underlying bitter note. Decent enough, but not very complex, and nothing to really distinguish it from the competition.

Finish: Some bitter chocolate on the way out, like an unsweetened cafe mocha. The balance is more toward bitter over the sweet (i.e., wood and some dry sherry). Slightly astringent, making you want to sip again.

Bunnahabhain.12Certainly a reasonable and tasty enough dram, but nothing that really stands out for me. It does have more of the dry sherry influence than you get in a typical Highland/Speyside whisky of this age, but none of the smoke/peat of the typical Islays. As such, I find it odd that there is so much bitterness throughout here.

I find the overall Meta-Critic score for the Bunna 12 yo to be reasonable. I would recommend something like the GlenDronach 12 yo for a more full-flavour whisky, or the Redbreast 12yo for higher quality in the same E flavour cluster. The BenRiach 12 yo Matured in Sherry Wood would be a better choice if you want a more sherried (but still delicate) whisky.

Reviewers are reasonably consistent in their view of this whisky. Probably the most favourable one I’ve seen is from Ralfy. One of the lest favourable would be Nathan the Scotch Noob. Oliver of Dramming, Serge of Whisky Fun and Thomas of Whisky Saga all give it fairly typical reviews.

Century Reserve 21 Year Old

Century Reserve is another Canadian whisky brand produced by Highwood Distillers in Alberta.

While the label calls this is a “Canadian Rye Whisky”, there is in fact no rye in here. Unusually for a Canadian whisky, this is actually a single grain whisky made from 100% corn. While it may shock some in other jurisdictions, the long use of high-proof rye for flavouring in Canadian whisky blends has allowed the term “rye whisky” to become synonymous with “Canadian whisky”. In essence, this is now a historic term to describe our whisky, and one protected in Canadian law for all whiskies that meet general Canadian whisky production standards (whether or not rye is present).

The source of this particular whisky is a bit mysterious. While Highwood distills their own whisky, they acknowledge that the corn whisky base of Century Reserve 21 yo is sourced from elsewhere (but don’t say from where). There is some speculation online that the distillate might be from Potters Distilleries in BC (who were acquired by Highwood in 2005), although this has been disputed. Whatever the source, I suppose it is possible that some of the Highwood-own make has now entered into the mix – but I don’t have any specific information one way or the other.

Whatever the source of the distillate, this whisky was barrelled, aged, and bottled by Highwood. They consider it to be an example of a premium, single grain, small batch whisky. This puts Century Reserve 21 yo in the same category as Bain’s Cape Mountain Whisky from South Africa and Nikka Coffey Grain from Japan – although aged much longer here.

Century.Reserve.21.375No longer available in Ontario, I picked up a 375mL bottle of this 40% ABV whisky during recent travels in BC (for only ~$25 CAD, taxes-in). I was surprised to see a row of these half-sized bottles of Century Reserve 21 yo on the shelf at the BC Liquors store in Westbrook Village, as this item is not currently listed on their website (in any size). An image of the actual 375mL bottle is shown on the right (see the stock photo at the bottom of this page for what the 750mL bottle looks like).

The design of this half bottle is interesting. While the body of the bottle looks similar to full-size 750mL standard bottle, thee half-size bottles have a fancy decanter-style glass stopper with a thin ridge of cork around the internal rim. This makes it much more of a presentation item (i.e., looks like a fancy perfume bottle).

Century.Research.21.375.corkI was even more surprised when I turned the bottle over, looking for potential batch codes. I didn’t find any, but here is what is embossed onto the base of the glass bottle:

Century.Reserve.21.375.bottom

In case that isn’t coming through clearly, it says:

LIQUOR BOTTLE / JAPAN / THE NIKKA WHISKY / DIST. CO. LTD

I have never seen bottles of any Nikka product that look like this one (most are very plain, in comparison). And I can find no record online of a relationship between Nikka and Highwood. So I have no idea how Highwood managed to acquire Nikka bottles for this 375mL bottling of Century Reserve.  Frankly, this one is a mystery to me – if anyone knows more, please leave a comment below.

In terms of the what is actually inside the bottle, I will provide my tasting notes below. 😉 Note that I have previously reviewed two of their rye whisky blends, the Highwood Ninety 5 yo and 20 yo.

But first, here is what the Meta-Critic database reports for this whisky, relative to other aged Canadian whiskies, and some single-grain corn whiskies:

Canadian Club 20yo: 8.68 ± 0.34 on 9 reviews ($$$)
Canadian Rockies 21yo: 9.11 ± 0.35 on 5 reviews ($$)
Century Reserve 21yo: 8.76 ± 0.21 on 10 reviews ($$)
Century Reserve Lot 15/25: 8.36 ± 0.91 on 5 reviews ($)
Gibson’s Finest Rare 18yo: 9.11 ± 0.38 on 10 reviews ($$$$)
Highwood Ninety Rye 20yo: 8.94 ± 0.22 on 9 reviews ($$)
Wiser’s 18yo: 8.70 ± 0.42 on 14 reviews ($$$)

Bain’s Cape Mountain Whisky: 8.19 ± 0.53 on 7 reviews ($$)
Kilbeggan 8yo Single Grain: 8.13 ± 0.40 on 11 reviews ($$)
Nikka Coffey Grain: 8.65 ± 0.50 on 14 reviews ($$$$)
Teeling Single Grain (Wine Cask Finish): 8.53 ± 0.36 on 9 reviews ($$$)

And now, what I find in the glass:

Nose: Sweet light corn syrup, with a touch of maple. Notes of apple, cherries and citrus. a fair amount of vanilla, likely from the oak aging. As expected, no rye notes. Detectable solvent smell (mainly glue), with some dry rubbing alcohol thrown in. Not as bad as it sounds, and much better than typical entry level Canadian whiskies. Gives the overall impression of being rich while still being light (i.e., maybe more buttery than creamy).

Palate: Rich sweetness. Somewhat cereal as well – makes me think of creamed wheat. I can detect something similar in the best Canadian blends, like Crown Royal Monarch and Gibson’s 18 yo – I guess that was coming from the corn. In fact, buttered corn also comes to mind here. Otherwise, I get mixed berries, some citrus, and more definite vanilla now.  Silky mouthfeel, very rich and satisfying. I also get what tastes like mild rye spices (e.g., cinnamon and nutmeg), which must be coming from the oak aging. This is followed by a slight woody bitterness. Not as complex as most Canadian whiskies of this age, but with some interesting subtle notes.

Finish: The simple sweetness lingers the longest – and for medium length. Not particularly flavourful on the way out, but certainly not offensive. Slight traces of some rye-like spice, but faint and hard to pin down. All in all, it just sort of slowly fades away.

Century.Reserve.21The official tasting notes mention honey a lot, but I really don’t find that here – it’s a much lighter sweetness, combined with buttery and creamy overtones. Comparing it to the Highwood Ninety 20 yo, the Century Reserve 21 yo is less complex on the palate – but it also less objectionable on the nose.

The Century Reserve 21 reminds me of some other single grain corn whiskies, but with more rich and creamy flavours.  Like the consolidated Meta-Critic scores, I too would rate it as far superior to Bain’s Cape Mountain Whisky, and a slight notch up from Nikka Coffey Grain (which is more delicate and less creamy).

Two of the most positive reviews of this whisky come from Jason of In Search of Elegance and Chip the RumHowler. Davin of Whisky Advocate/Canadian Whisky is also quite positive, as are the guys from Quebec Whisky.

Glenlivet 12 Year Old vs Founder’s Reserve

Like for many, the Glenlivet 12 yo was the first single malt Scotch that I would routinely order in a bar, neat. It was a considerable step up from the basic whisky blends I had tried (both domestic and international), and had a relatively gentle and inoffensive flavour profile.

I don’t mean that to sound belittling. When first exploring the world of whiskies, it is easy to get overwhelmed by strong flavours. Indeed, my first experience of malt whisky put me off it for years – a heavily peated malt, I recall remarking that it tasted like peat moss in vodka (as that was all I could discern at the time). The Glenlivet 12 yo was a revelation in comparison, and gave me an opportunity to appreciate the subtler flavours in malt whisky.

Of course, most of us eventually move on from this relatively inexpensive and ubiquitous single malt, searching for wider flavour experience.  But it remains a staple for its class, and one worth considering here – especially in comparison to the new Founder’s Reserve, a slightly cheaper new no-age-statement (NAS) from Glenlivet.

Founder’s Reserve immediately replaced the 12 yo as the sole entry-level Glenlivet expression in some smaller and emerging markets.  In more established markets (including North America), the two expressions are available side-by-side. That seems to be changing however, and the expectation is that the Founder’s Reserve will replace the 12 yo in most markets eventually.

As an aside, that name has received a fair amount of ridicule online – it is hard to imagine how the most entry-level whisky in a producer’s inventory could be described as a “Founder’s Reserve”. 😉

Fortunately, both the Founder’s Reserve and the original 12 yo are still available in Canada (for the time being). So I was able to try them both in short succession one recent evening.

Glenlivet.12Let’s see how they compare on in the Meta-Critic database, relative to other popular entry-level malt whiskies (age and non-age expressions).

Auchentoshan American Oak: 7.49 ± 0.94 on 6 reviews ($$)
Auchentoshan 12yo: 8.31 ± 0.27 on 19 reviews ($$$)
Cardhu Amber Rock: 8.28 ± 0.28 on 4 reviews ($$$)
Cardhu 12yo: 8.12 ± 0.50 on 17 reviews ($$$)
Deanston 12yo: 8.05 ± 0.48 on 12 reviews ($$$)
Deanston Virgin Oak: 8.21 ± 0.49 on 9 reviews ($$)
Glen Garioch Founder’s Reserve: 8.30 ± 0.43 on 13 reviews ($$$)
Glenfiddich 12yo: 8.08 ± 0.26 on 21 reviews ($$$)
Glenlivet 12yo: 8.03 ± 0.32 on 18 reviews ($$$)
Glenlivet Founder’s Reserve: 7.95 ± 0.50 on 10 reviews ($$)
Tomatin Legacy: 8.25 ± 0.48 on 8 reviews ($$)
Tomatin 12yo: 7.82 ± 0.66 on 14 reviews ($$)

As you can see from the Meta-Critic average, they get roughly equivalent scores overall (and about middle of the pack for this entry-level group). But what you can’t tell from above is the repeated measure of individual reviewers who have tried both. There are only six reviewers that I track that have scored both whiskies, and the difference is interesting: three rank the Founder’s Reserve considerably higher than the 12 yo, two find it equivalent, and one finds it worse. Not quite what I expected for a lower price NAS.

Here is what I find in the glass for each:

Glenlivet 12 yo

Nose: Slightly sweet, with a touch of honey, and light fruits like apple and pineapple (a distinctive Glenlivet trait). Definite vanilla. Slightly floral, but I can’t identify anything specific. Slight solvent note, but not offensive.

Palate: Sweet up front, with the vanilla turning more to caramel now. The apple remains prominent, but also getting some citrus – with a touch of bitterness. Remains light and relatively sweet overall, and not very complex. Somewhat watery mouthfeel.

Finish:  Moderate finish – a bit longer than I would have expected from its light taste, but still relatively short overall.  That sweet apple remains the key note, although a bit of bitterness also lingers. As I remember it – a light and inoffensive whisky.

Glenlivet Founder’s Reserve

Glenlivet.Founders.ReserveNose: My core notes read the same – slightly sweet, light fruits like apple, slightly floral. But there is more going on here, with a malty characteristic now. There is an almost maritime air, with hints of salty chocolate (i.e., seems like it could be just a tiny touch sherried). Definitely a more complex nose than the 12 yo. Unfortunately, the solvent characteristic is also more noticeable (a touch of glue in particular).

Palate: Still sweet and fruity, and I find some maltiness is coming up now as well. Classic apple and honey are still there, but with faint chocolate notes, and something slightly spicy (pepper?). Still light and watery overall. Improves on multiple sips.

Finish:  As before, medium length for its class (short overall for a Scotch). The various new notes (like chocolate) linger, as does a bit of caramel sweetness. Less fruity than the old 12 yo.

The Verdict: The Founder’s Reserve is both more and less than the 12 yo. It lacks the simple charm and elegance of light fruit-driven 12 yo, and brings in more complexity (likely from wider barrel blending). With that wider mix comes some additional off notes though, so it really is a mixed bag.

For its extra complexity, I would give Founder’s Reserve a marginally higher score. But I can really understand why individual reviewers vary so much in their relative opinions of these two. It thus makes sense how the overall average scores came out pretty much the same, but with a larger standard deviation for the Founder’s Reserve.

For direct comparison reviews of both the 12yo and Founder’s Reserve, I recommend the boys at QuebecWhisky (12 yo, FR), Oliver of Dramming (12 yo, FR), and Richard of WhiskeyReviewer (12 yo, FR).

Kavalan Solist Sherry Cask

Kavalan is an internationally-renowned whisky distillery operating in Taiwan.  It makes a number of relatively entry-level single malts (like Kavalan Single Malt and the Concertmaster reviewed previously). But they also produce higher-end single cask whiskies under the Solist label. For this review, I have a bottle of the popular Solist Sherry Cask, which I brought back from my travels there last year.

Identifying Kavalan expressions can be tricky. In addition to the Solist Sherry Cask, there is the separate Solist Fino Sherry Cask available, plus the Solist Vihno Barrique and Solist Ex-Bourbon.  Note that if you are in the United States, Kavalan doesn’t use the “Solist” brand name (likely for a trademark issue). The whiskies there simply drop that word from the labels, which otherwise looks identical to Solist labels every where else (the front label on my bottle shown above). As you can see, these labels provide a lot of information on the specific cask and bottling: my bottle is from cask S090123071 (58.6% ABV), and is bottle 434 of 514 (I will come back to this point in a minute).

FYI, If you have traveled in Asia, you may also have noticed the Kavalan “Sherry Oak” expression, sold at 46% ABV with a plan label not identifying a specific cask or bottle. While generally believed to be diluted versions of the Solist Sherry Cask, I have also seen at least miniature bottles of “Sherry Oak Cask Strength” (58% ABV) that again do not identify a specific cask. So, it thus seems like Kavalan produces distinct single cask sherry-aged expressions under the “Solist” brand (word dropped in the US), and a more general “Sherry Oak” expression sold at both regular and cask strength in Asia. I have a sample on hand of the regular-strength Sherry Oak that I plan to review shortly.

As previously mentioned in my other reviews, Taiwan has a marine tropical climate – which means that their whiskies will mature more quickly in the barrel compared to more temperate northerly climes like Scotland and Ireland. As such, don’t expect to see age statements here – they are all quite young whiskies, and tend to be heavily influenced by the types of casks they were matured in. Since production only began in 2006, all of their whiskies are currently younger than 10 years old.

Actually, you can pin it down a lot more specifically with these single cask expressions: the specific cask numbers define the type of whisky and its distillation date. For the S090123071 cask here, S for Sherry, 09 is distilling year (2009), 01 is January, 23 is the 23rd of the month, and 071 is the 71st barrel of that day.  On the back is a sticker with the specific bottling date and hour (in this case, 2015.08.17 13:34). That means this cask was bottled at about six and a half years of age.

It’s great that they provide this much info, but don’t get hung up on trying to compare this to a standard Scottish single malt – the effect of accelerated aging in the tropics is immense.

Here are how some of the major Kavalan expressions compare in my database, to some other well known cask-strength “sherry bombs”.

Aberlour A’Bunadh (all batches): 9.00 ± 0.22 on 20 reviews ($$$$)
GlenDronach 19yo Single Cask (all vintages): 8.97 ± 0.40 on 11 reviews ($$$$$)
GlenDronach 20yo Single Cask (all vintages): 9.05 ± 0.45 on 10 reviews ($$$$$)
GlenDronach Cask Strength (all batches): 9.04 ± 0.17 on 11 reviews ($$$$)
Glenfarclas 105: 8.77 ± 0.38 on 18 reviews ($$$$)
Kavalan Solist Fino Sherry Cask: 9.17 ± 0.25 on 8 reviews ($$$$$+)
Kavalan Solist Sherry Cask: 9.22 ± 0.34 on 12 reviews ($$$$$)
Kavalan Solist Vinho Barrique: 8.98 ± 0.39 on 11 reviews ($$$$$)
Kavalan Sherry Oak (46% ABV): 9.09 ± 0.47 on 3 reviews ($$$$$)
Kavalan Concertmaster Port Cask: 8.39 ± 0.48 on 14 reviews ($$$$)
Kavalan Podium: 8.80 ± 0.43 on 5 reviews ($$$$)

Interestingly, the Solist Sherry Cask is currently the highest-ranked Kavalan expression in my database (although many who have tried both typically prefer the Fino Sherry Cask).

While the LCBO used to carry the regular Kavalan Single Malt and Concertmaster, there are no whiskies from this distiller currently listed on the online site. However, I have recently seen bottles of the Solist Sherry Cask at one of the downtown Toronto flagship locations (Queens Quay) for ~$350 CAN.

I don’t normally comment on whisky colour (since it can be artificially manipulated), but I have to note that my Solist Sherry Cask has the darkest colour I’ve even seen in a whisky – it looks like dark mahogany wood!

Here is what I find in the glass:

Nose: Sweet rich flavours, showing the sherry cask selection. I get raisins and cocoa powder mainly, with additional marzipan, nuts and black licorice (i.e., anice spice). Not as overtly fruity as some sherry bombs, you do get a variety of dark fruits below the surface. There are some vegetal notes here too, evoking the tropical environment (i.e, a humid jungle, for those who have been in one). Very complex. Surprisingly for a cask-strength whisky, there is not much alcohol burn here (i.e., little nose tingle). Water lightens the nose, and doesn’t seem to bring out anything new – I recommend nosing it neat.

Palate: Thick and creamy, with an almost resinous quality. The fruits show up now, with cherry, raisins, plums and papaya. The cocoa on the nose turns to rich dark chocolate, and the spices turn to sweet cinnamon. Some pancake syrup. There is a moist earthy quality that adds character. I also get something that brings to mind tree bark, in a good way (not that I can ever recall actually trying it!). A bit of tongue tingle, but still surprisingly easy to drink neat (more so than other sherry bombs I’ve tried). Very complex, even by sherry bomb standards. With a bit of water, it becomes even sweeter up front, with more cherry/raspberry – and a new milk chocolate pudding texture and taste. If you keep adding more water though, it eventually loses complexity.

Kavalan.Sherry.CaskFinish: Long. The sweetness continues for a good long while, and there is no hint of the bitterness that often accompanies sherry bombs on the way out. Water doesn’t change much here, for good or ill.  You’ll be enjoying the after-glow of this whisky long after you’ve finished the glass. 😉

I typically prefer some water in my cask-strength sherry bombs, but this is one where I don’t think it is necessary.  If you do choose to water it down, I recommend no more than a few drops.  But since there is bound to be variability between individual casks, you will want to experiment to see what works best for you and your bottle.

I think I’ve lucked out here – this particular cask is one of the best whiskies I’ve ever tried. It is certainly my new favourite sherry bomb.

While every cask is different, here are some reviews that I think capture the gamut well.  The boys at Quebec Whisky all give their single cask among their highest personal scores. Oliver of Dramming really liked his sample, as did Ruben of Whisky Notes for his two samples (here and here). My Annoying Opinions has had some variable experiences (i.e., very positive here and here, less-so more recently here). Thomas of Whisky Saga gave his one sample a middle-of-the-road score. Serge of Whisky Fun has reported on six separate bottlings of Solist Sherry Cask to date, with diverse scores ranging from his 7th percentile right up to his 98th (!), with most doing fairly well.

 

Caol Ila 30 Year Old

This is a review of the official bottling of a vintage 1983 Caol Ila, released by Diageo in 2014. Only 7,638 bottles of this 30yo bottling were produced.

Normally, I only review whiskies where I have a significant sample on hand for tasting (typically sampled at home, in a controlled environment). In this case, I got to enjoy a generous pour from a bottle at a flagship LCBO store, and had a chance to record my notes in a quiet corner.

At $750 CAD, this is the most expensive whisky I’ve reviewed yet.  It is also the oldest, at 30 years of barrel aging. This is thus an interesting opportunity to see what effect extended aging has on the so-called “lightly peated” flavour profile of Caol Ila (see my recent 12yo review for a discussion of the house style).

First, here are the Meta-critic scores for some other popular aged smokey/peaty single malt original bottlings:

Ardbeg 17yo: 9.05 ± 0.29 on 6 reviews ($$$$$+)
Caol Ila 18yo: 8.66 ± 0.54 on 13 reviews ($$$$$)
Caol Ila 30yo: 9.38 ± 0.28 on 7 reviews ($$$$$+)
Highland Park 18yo: 9.18 ± 0.27 on 20 reviews ($$$$$)
Highland Park 21yo :8.89 ± 0.41 on 14 reviews ($$$$$+)
Highland Park 25yo: 9.20 ± 0.25 on 12 reviews ($$$$$+)
Highland Park 30yo: 9.06 ± 0.42 on 9 reviews ($$$$$+)
Highland Park 40yo: 9.07 ± 0.39 on 8 reviews ($$$$$+)
Lagavulin 16yo: 9.30 ± 0.25 on 23 reviews ($$$$)
Laphroaig 18yo: 9.09 ± 0.30 on 16 reviews ($$$$$)
Laphroaig 25yo: 9.21 ± 0.31 on 11 reviews ($$$$$+)
Old Pulteney 21yo: 8.67 ± 0.62 on 12 reviews ($$$$$)
Talisker 18yo: 9.25 ± 0.21 on 14 reviews ($$$$$)
Talisker 25yo: 8.95 ± 0.26 on 13 reviews ($$$$$+)

The 30yo Caol Ila certainly tops the Meta-Critic scores for this class. Note that it is rare to see original bottlings of this age, given the limited availability of stock (i.e., more commonly found as small batches with independent bottlers).

Here’s what I find in the glass:

Nose: Fragrant nose, with a lot going on. I don’t get the wet peat of the younger Caol Ilas, but lots of extinguished smoke and ash (more the latter). Some distinctive medicinal/briny notes, plus well-worn leather. A faint nutty aroma, with a creamy overall feel. There is a fair amount of sweet fruit as well, like honeydew melon, along with a touch of citrus. Complex, yet elegant – you will want to spend a lot of time exploring this nose.

Palate: The salty and medicinal iodine notes come through up front, but they aren’t overwhelming. Same for the smoke/ash notes – present, but not as intense as the younger Coal Ilas. Some moist, earthy peat showing up now. Still getting the melon and some sort of pulpy fruit (papaya?). There is a spiciness as well, like anise – balanced with just the right level of sweetness (i.e., low- to mid-sweet black licorice, as I’ve only found in specialty shops in the UK). Definite oaky elements coming through, with clear vanilla. It is nowhere near as hot as you would expect for a 55.1% ABV whisky – shockingly easy to drink at this level. It has an incredibly luxurious mouthfeel.

Caol.Ila30Finish: Very long, with lingering smoke and ash. That balance of spicy and sweet (e.g., black licorice) persists as well.

This is a stunner!  It’s hard to express in words just how well this whisky works. Note that despite the descriptions above, a lot of the classic peaty notes have been attenuated by the extended barrel aging. Think of this one as a nice meal over an extinguished campfire.

I made the mistake of sampling the Highland Park 21yo after this whisky, and it just couldn’t compare on any level (and that’s coming from a big HP 18yo fan). Certainly not fair to the HP – I will need to try it again before I can fairly review it.

The Meta-Critic score for the Caol Ila 30yo seems reasonable to me – it is certainly one of the best whiskies I’ve ever had. While I would not pay the going rate for a bottle, I do recommend you try it if given the chance. For detailed reviews by reviewers who share my enthusiasm, you can try Serge at Whisky Fun, Ruben of Whisky Notes and Tone of Whisky Saga. Dave Broom of Whisky Advocate is also fairly positive.

Hiram Walker Special Old Rye

Hiram Walker & Sons is the largest distillery operating in Canada today, as well as the longest continuously operating distillery in North America. Indeed, according to one source, it may now actually be the largest single distiller in North America.

Located in Windsor, Ontario, Hiram Walker & Sons is currently owned by Pernod, and operated by Corby. This massive distillery produces many of the well-known Corby brands, such as Canadian Club, Gibson’s, Lot 40, and Wiser’s. According to Davin de Kergommeaux’s Canadian Whisky Portable Expert, a significant proportion of their operation is sold as bulk whisky to US producers.

There is very little information about their namesake Special Old whisky available online. The only real info on the Corby website is a repeat of what is already shown on the bottle label – namely, that this is a Canadian rye whisky, and that Hiram Walker & Sons was established in 1858. Not exactly a lot to go on. According to Davin’s review at the Whisky Advocate, this whisky is only available in Canada.

Hiram Walker’s Special Old is an example of an ultra-low cost, entry-level Canadian whisky. You will consistently find this whisky sold at the lowest spirit “floor” price at the various Provincial liquor outlets. At the LCBO, that means you can pick up a standard 750mL bottle for ~$25 CAD. And like many of these entry-level whiskies, it is also available in a number of sizes (i.e., 200mL, 375mL, 750mL, 1140mL, 1750mL).  As you can tell from the image, packaging is very plain (and reminiscent of Alberta Premium, another entry-level whisky).

Here is how it compares to the other ultra-cheap, entry-level Canadian whiskies in my database:

Alberta Premium: 8.24 ± 0.60 on 10 reviews ($)
Alberta Springs 10yo: 8.33 ± 0.50 on 8 reviews ($)
Canadian Club: 7.28 ± 0.87 on 13 reviews ($)
Canadian Mist: 7.61 ± 0.69 on 11 reviews ($)
Hiram Walker Special Old: 8.23 ± 0.41 on 9 reviews ($)
Seagram’s VO: 7.73 ± 0.79 on 9 reviews ($)
Seagram’s Canadian 83: 7.28 ± 0.90 on 7 reviews ($)
Schenley Golden Wedding: 8.02 ± 0.58 on 8 reviews ($)
Wiser’s DeLuxe: 8.14 ± 0.49 on 8 reviews ($)

As you can see, the average Meta-Critic score puts it at the top of the pack, along with Alberta Premium and Alberta Springs.

Note that it is bottled at the standard 40% ABV. My review sample came from a 200mL bottle. Here is what I find in the glass:

Nose:  Rye spices are the first thing you notice, especially cinnamon and cloves. It has a pleasant fruitiness, with red apples, currants, and a bit of citrus. Some oaky vanilla, with a little caramel. Actually reminds me a bit of flat cola – but it’s not as sweet overall. There is a slight peppery spiciness, tingling the nose. Impressively, there are no obvious solvent notes – a rare find in a budget Canadian whisky. A pleasant surprise so far.

Palate: Very rye forward initially (led by cinnamon), but the kick fades quickly, leaving soft, lingering flavours. There is an almost immediate sweet creaminess that coats the tongue with vanilla/toffee, and some light fruitiness in the background. Overall rich, it leaves a nice buttery sensation on the lips and gums (though still a bit watery). It is not uniformly sweet though, as citrus and sour apple eventually take more prominence.  I would consider this fairly well balanced – it maintains distinctive individual flavours, and doesn’t blend them all together.

Finish:  Medium length for a Canadian rye, with some bitterness creeping in – but more like bitter chocolate than the typical bitter grapefruit of some Canadian blends.  I get the flat cola note again, with just a hint of the softer rye spices (maybe nutmeg) persisting to the end. Somewhat tannic, leading to a drying effect over time. Leads to a very cleansing finish, which gently encourages you to take another sip.

Hiram.Walker.Special.OldUPDATE JANUARY 2016: Like many bargain Canadian ryes, lot variation can be considerable on these.  I recently picked up a second bottle, and find the nose is muted in comparison, especially for the rye spices – and there is a distinct glue-like solvent smell now. The palate is generally similar, but feels “hotter” (i.e., more raw ethanol taste). Finish is comparable, although perhaps a touch less bitter (which would actually be an improvement).

I didn’t have high hopes for this whisky – I initially bought it as an impulse buy in the LCBO checkout line, as one more budget Canadian blend to try. But this is my favourite entry-level Canadian rye so far – easily exceeding all the entry versions of Alberta Premium, Canadian Club, Seagram’s and Wiser’s at this basement price point.

I even prefer the first batch of Hiram Walker over most of the second tier ~$30 CAD whiskies, like Crown Royal and Gibson’s 12. Indeed, I would almost place that batch on par with Canadian Club 100% Rye and Forty Creek’s Copper Pot – that is, among the best of the second tier whiskies.  The second batch is less interesting on the nose, but still matches anything else at the LCBO floor price.

For more reviews of this whisky, I recommend you check out Davin at the Whisky Advocate, Jason of In Search of Elegance, and Chip the RumHowler.  The highest score I’ve seen for this whisky comes from Jim Murray (who seems to have a fondness for entry-level Canadian rye whiskies more generally). For less positive reviews, you can check out the guys at Quebec Whisky.  But for my money, Hiram Walker’s Special Old tops the list of entry-level budget Canadian whiskies.

 

Can You Tell the Difference Between Bourbon and Rye?

A recent article published the Journal of Food Science has generated considerable buzz online in the various whisky forums, due to how it has been characterized in the popular press.  Plenty of websites like Tech Times and e-Science News have picked up the story, often with inflammatory headlines (e.g., “Bourbon or rye? You can’t tell the difference”). Even mainstream media has picked up on the action, including Fox News in the US and the Daily Mail in the UK.

If you read the enthusiast commentary out there, you will find much indignation at those headline statements.  But is that really what the article shows?  Here is a link to the abstract of the article by Jake Lahne et al: Replication Improves Sorting-Task Results Analyzed by DISTATIS in a Consumer Study of American Bourbon and Rye Whiskeys (J Food Sci. 2016 Apr 18. doi: 10.1111/1750-3841.13301)

As you can probably tell from the article title, this study is not going to be a detailed analysis of bourbon flavour.  If you peruse the abstract, you will see that this is really a scientific analysis to compare how a new statistical method for analysis of sorted study data performs against an older method. It also introduces a new variable of subject scoring replication, to see how that affects the results.

Unfortunately, some over-reaching comments have been made about this article, so I thought it would be a good idea to dissect out what conclusions you can actually draw about American bourbons and ryes from this analysis.

I have a copy of the full article, and have reviewed the methodology in some detail. I find it a generally well-described exploration of a new statistical method. But it allows you to draw almost no inferences about the ability to discriminate bourbons and ryes.  The main problems boil down to the reference set of whiskies chosen, who scored them, and how.

Personal Bias

Before getting started, I should point out that personal bias is hard to account for here. Many enthusiasts believe they have great power to detect and differentiate differences between whiskies. But the history of blind sensory sorting studies tells us that we commonly greatly inflate our own abilities in this regard.

On the one hand, whisky enthusiasts are likely to approach any such reported study with a pre-conceived bias, looking for flaws in the design or conclusions that support their existing world view. But equally of concern, designers of such studies could similarly choose to design or analyze their results in such a way as to support a pre-existing bias on their own part (namely, that people over-estimate their ability to differentiate). The bias knife cuts both ways.

My goal here is to fairly and objectively review the design and analysis of this particular study, to see if there are any obvious sources of concern, and whether the authors’ conclusions are evidence-based and limited to the analysis findings.

How to Classify Whisky (or Anything Else)

As explained on this site, the “gold standard” for sorting sensory input into discrete groups first starts with descriptive labels assigned by expert reviewers, based on an underlying physiochemical basis, scored for an exhaustive sample collection (see my Early Flavour Classifications page for more info). This is followed by a statistically-valid cluster analysis, to group the intensity of these distinct characteristics into an appropriate number of clusters. Finally, a principal component analysis allows you determine which dimensions of the cluster analysis are key to discriminating the core characteristics of the group, in a statistically meaningful way. For these last two points, see my Modern Whisky Map page for more info.

While the above has been done for single malt-style whiskies (described on those pages above), I am not aware of such a comprehensive analysis being done for American Bourbon/Rye whiskies. And that is certainly not what this article by Lahne and colleagues sets out to do.

The Lahne Study Design

Lahne_reprintThis paper uses a “short-cut” method – a very small sample of whiskies, sorted by a very small panel (not identified for expertise), asked to simply free-sort (i.e., apply whatever characterization they want, without any descriptive features). This does not compare to the first step described above.

The reason for this is that they are really only seeking to validate a novel cluster and dimensional analysis method, and NOT provide a definite answer to issue of bourbon/rye classification. In other words, they are validating a process for doing the last two steps above, not the first.

Here are the top-line reasons why you should not get too worked up about this article in terms of the ability to discriminate ryes from bourbons:

  • Participants were not asked to separate bourbons from ryes, but rather to free sort into whatever number and type of groupings they felt like
  • Participants did not necessarily have any experience with whisky (selected only for being “nonrejectors of whiskey by aroma”).
  • Participants were drawn from a University campus environment, with a mix of students, staff and faculty. Note the mean age was 42, but the median age was 31. When combined with the standard deviation of 19 yrs, this is a real tip-off as to the spread of age and likely experience with whisky.
  • Consistent with Scotch panel reviewing norms, participants only smelled the whiskies (no tasting was performed).
  • Similarly, whiskies were diluted 1:1 with distilled water, to limit and mask the effects of high alcohol content (i.e., presented only at 20-25% ABV for smelling)
  • A very limited number of whiskies were used – only 5 bourbons and 5 ryes – without explicit consideration of the rye content in their mashbills (I will come back to this point of whisky selection in more detail later)

Note that nothing that I have said above is intended as a criticism of the analysis itself. The above are simply statements as to the participant and task nature of the study. That said, many enthusiasts – with some justification – will reject the use of naive sorters, free sorting, and lack of tasting to separate whiskies in this study.

On the point of smell-only sorting, I should clarify that while it is common in many Scotch whisky panels to only nose the whisky, this is done simply to prevent reviewer fatigue and potential intoxication. While it has been argued that many (though not all) of the characteristics of Scotch whisky can be recognized by smell alone, this presumes an expert panel with extensive experience (which is not the case here). Further, there is at least anecdotal evidence to suggest that the effect of rye on American whisky flavour is not limited to scent (i.e., many find rye flavours more pronounced on tasting than nosing). As such, I find the authors stated claim in this article that it is unlikely that actual tasting would have changed the grouping results is unreasonable and not exactly evidence-based.

In terms of the free sorting, the authors attempt to justify this method by stating that results from such studies “are often equivalent to more exhaustive, traditional methods” (i.e. the ones I explained in the section above, for this site and Scotch whiskies). That may be true, but my experience of whisky analysis makes me seriously doubt it (I would really need to do an independent review of the literature to verify that claim). But it is most certainly NOT true if you draw a biased small sample that is not representational of the overall dataset.

This is the basis of all inferential statistics – if you are going to draw from a population, you must try to be as representational as possible and control for obvious confounds. I will discuss this issue of the specific whisky selection in detail below, as there is good recent to doubt their selection, based on earlier scientific studies and results presented in this analysis.

Consistent with the stated goals of this paper, I find the actual statistical analysis method used to be well described and justified, and is likely appropriate for further large scale studies (as they propose). However, you simply CANNOT make meaningful inferences about the ability to discriminate rye and boubons from a study with the sampling and sorting design used here (i.e., it is not designed to address that question). Any over-arching claims to contrary are not supported by the evidence in the study.

The Real Issue

Now, I could stop there, and draw this commentary to a close. Indeed you may want to stop reading at this point, unless you really care about scientific study design. 🙂

The issue of bias is an important consideration among both the general enthusiast community and in the scientific community. It is worth exploring in detail, given some red flags in this particular study. Let me start with the whiskey analysis results in this paper, and then show why their conclusions about bourbon vs rye are (at best) misleading based on the sample selection.

The authors note that US law only requires (among other things) that the mashbill for bourbons be 51% corn, and that of ryes be 51% rye. They also note that producers do not commonly reveal the exact mashbill composition. As such, it is possible that the bourbons and ryes in their samples could differ by only a couple of percentage points of rye content.  This would certainly be a confound.

But there is actually a lot of information available out there about the proportion of rye in many mashbills. Indeed, it is interesting that 4 of the 5 bourbons they used are considered as “low-rye” by enthusiasts. Here is the actual list of what they used (with distiller/owner identified):

  • Jim Beam Black Bourbon (Clermont/Beam)
  • Old Forester Straight Bourbon (Brown-Forman/Brown-Forman)
  • Old Crow Straight Bourbon (Clermont/Beam)
  • Elijah Craig 12yo Bourbon (Bernheim/Heaven Hill)
  • Buffalo Trace Bourbon (Buffalo Trace/Sazerac)
  • Rittenhouse Rye (Bernheim/Heaven Hill)
  • Sazerac Rye (Buffalo Trace/Sazerac)
  • Bulleit Rye (MGP/Diageo)
  • Knob Creek Rye (Clermont/Beam)
  • Jim Beam Rye (Clermont/Beam)

While there is no official designation of low-rye vs high-rye, I expect most of us would consider all the bourbons except for Old Forester to be particularly low-rye (i.e., all 4 are believed to be <15% rye content).

This brings up a critical point – despite a general lack or reporting by producers, you could still set out to choose whiskies that evenly span the continuum of known rye content fairly easily, from what is reported for available whiskies. In other words, you could assemble samples from known low-rye bourbons (<12% rye), high-rye bourbons (15%>x<35%), sub-maximal ryes (51%>x<100%), and 100% ryes. The authors have not done this – indeed, they do not even discuss this as a possibility.

Summary Results

To start, let’s see what their analysis method actually produced with this particular set of whiskies. The principal component analysis (PCA) in their study found that 47% of the total variance can be explained by 3 dimensions, as follows:

  • The first dimension (21% of the variance) separates 3 whiskies from the others – all 3 produced by Jim Beam (JB Black, JB Rye, and Old Crow Bourbon).
  • The second dimension (14% of the variance) does not separate by rye vs bourbon (the authors claim), but best correlates to age and ABV.
  • The third dimension (12% of the variance) separates Bulleit Rye from the other 7 whiskies that cluster together in the first dimension.

On the basis of these three key dimensions, the authors (seemingly) reasonably conclude that producer, age and ABV have a greater influence on self-selecting of whisky into groups than does mashbill (i.e., the traditional method of producers and enthusiasts).

So what is wrong here? The main problem is that we have potentially a huge selection bias in their choice of whiskies, based on the existing data available to these researchers.

Before I explain how they choose their whiskies, it is worth noting that Jim Beam made up 4 out of 10 whiskies sampled above (again, sorted by diluted scent alone). Is it really so surprising that naive sorters choose to group these together out of the whole set?  Can we really infer from this (and the Bulleit finding) that producer is the key discriminant?  Not in such a limited and biased small sample of whiskies we can’t. Again, I will come back to why this is so at the end, when I discuss their justification for the selection.

Another problem is their interpretation of the second dimension. The authors state that age and ABV correlate best for this dimension, but those correlations are actually very weak statistically. Note as well that there is not a big age or ABV difference between most of these whiskies to start with, and the study is hardly powered to look at these variables. Going through the results, I have to say these conclusions for the second dimension of the PCA seem very tenuous based on the actual analysis in the paper.

But here is the kicker – if you pull Buffalo Trace from the analysis, the second dimension correlates almost perfectly for bourbon vs rye (!).  Buffalo Trace is an outlier in the group, clustering strongly to the ryes. Without it there, you would have a nearly perfect correlation of rye to bourbon on the second dimension of the PCA.

What this means is if they had chosen to substitute another whisky for Buffalo Trace in the (incredibly tiny) bourbon sampling, they would likely have found a completely different result. Indeed, without Buffalo Trace in the mix (i.e., looking at only the other 9 whiskies), they most certainly would have concluded that rye vs bourbon is a main discriminator.

Why Did They Choose These Whiskies?

The authors main justification for their specific sampling of whiskies is that they were selected from ones used in a previous study to “span the space of nonvolatile constituents found in whiskies.” They cite as the sole reference a paper by the second author on this study: Collins et al, Profiling of nonvolatiles in whiskeys using ultra high pressure liquid chromatography quadrupole time-of-flight mass spectrometry (UHPLC-QTOF MS).

Now, first off, you might be thinking it is a bit odd to use a study of “nonvolatile constituents” as the characterization system to pick a subset of whiskies for a smelling-only sensory sorting study (!)

I will say that the earlier Collins et al HPLC/MS paper appears to be a well-designed and analyzed study looking at a larger number of American whiskies (63). Indeed, the analysis is even more thorough and robust that this paper. But the actual findings in that earlier paper seriously call into question the claim made here that 5 ryes and 5 bourbons are going to “span” that space.

Specifically, the Collins paper found that when removing craft whiskies, there is a difference between bourbons and ryes in terms of their nonvolatiles – but with significant overlap between the groups. So, depending on which specific whiskies you sampled for a subsequent smaller-scale study, you could produce any result you wanted (i.e., no difference, or a massive difference between bourbons and ryes – depending on which ones you picked).

Note that the Collins paper does not identify the individual whiskies, so there is no way for the reader to ascertain the selection bias this time around. But the authors had access to all this information.

Is there any reason to doubt their claim that they have chosen a reasonable “span”?  Unfortunately, there is. One particular interesting finding in the Collins paper is that while the whiskies of any given producer tend to cluster together (regardless of rye composition), there were very clear differences between producers in their PCA. In particular, there is one massive discriminator in the first dimension, where one producer was a huge outlier from all the others (who differentiate from each other to a varying extents in a second dimension).

Given this unequal pattern, how exactly did Lahne et al draw a representative span of producers?  If they included that one outlier producer from the earlier study, they would have heavily biased this study for the first dimension of their PCA. In particular, I wonder if that outlier was Jim Beam, since the pattern of an extreme outlier in the PCA is reproduced almost exactly here. If that outlier producer was Beam, then they have deliberately stacked the deck in this study by using a known outlier for 40% of the whiskies examined here.

But even if that is not the case, I don’t see how they could have chosen “evenly” among such divergent producers. Again, 4 of the 10 whiskies used in this study came from a single producer. That seems very surprising, given the strong variance between virtually all the producers reported in the earlier study.

There is a fundamental issue of lack of transparency here. The only way to verify their selection in this study is for the identity of the whiskies in the earlier Collins HPLC/MS study to be publicly revealed, at least for the current set of whiskies studies here. That way, we can all see exactly how they choose to assemble their smaller subset in this study, and verify its supposed representational basis.

Wrapping It Up

The key point that I made early in this commentary is that the participant and sampling design clearly prevents you from drawing any meaningful conclusions about the ability of people to discriminate rye from bourbon (i.e., that is NOT what this study was designed to test for).

But the bigger underlying problem here is the apparently non-representational basis of the whiskies they choose to study. Again, they had access to much more nonvolatile constituent information on these whiskies than they present publicly. And the reported levels of variance from their earlier work calls into question the very idea that a such a small set could possibly be representational here, as they claim.

Moreover, reviewing the results of this study, it is clear that the opposite finding (that is, a clear dimension of rye-to-bourbon differentiation) would have been obtained had 1-2 specific whiskies not been included. Given this, and the authors awareness of the distribution from earlier studies, it is critical that they provide a transparent explanation for their selection criteria, to show a clear absence of selection bias.

Moving forward for any further studies of ryes and bourbons, I would encourage these authors to move beyond their nonvolatile analysis, and consider known information on actual mashbill composition. While incomplete for all producers, there is enough information out there as to reasonably assign a range of American whiskies across a continuum of actual rye content. Further, they also need to test their assertion that actual tasting would not influence the results of any sorting paradigm, given the lack of evidence for this stance in the case of rye in bourbon.

 

Te Bheag Blended Whisky

Té Bheag Nan Eiliean Gaelic Whisky is a distinctive blended whisky – and not just for its hard to pronounce name (“CHEY-vek”). Té Bheag uses a relatively high proportion of malt whisky (40%) – with some peated malt at that.

Produced by the Pràban na Linne company on the Isle of Skye, it is not going too much out on a limb to suspect that some Talisker peated malt may have found its way into this blend. 😉 In addition to explicit Island malt, there is supposedly malt from the classic Islay, Highland and Speyside regions. Also distinctive is the use of ex-sherry casks for some of these malts, thus imparting both winey and smokey flavours to the final blend. The age of the malt component is reportedly in the 8–11 year range.

Also impressive for a blend, Té Bheag is not chill-filtered – although it is bottled at the common 40% ABV. Combined with the above malt sources, you can expect an above-average range of flavours in this inexpensive blend.

Here is how Te Bheag compares to other scotch whisky blends in the Meta-Critic Database, for the same lower mid-range price category (in alphabetical order):

Bushmills Black Bush: 8.36 ± 0.44 on 19 reviews ($$)
Compass Box Great King St Artist’s Blend: 8.60 ± 0.41 on 15 reviews ($$)
Famous Grouse Gold Reserve: 8.61 ± 0.35 on 6 reviews ($$)
Jameson Select Reserve (Black Barrel): 8.33 ± 0.42 on 14 reviews ($$)
Johnnie Walker Black Label: 8.36 ± 0.51 on 19 reviews ($$)
Johnnie Walker Double Black: 8.51 ± 0.33 on 13 reviews ($$)
Té Bheag: 8.54 ± 0.32 on 12 reviews ($$)

Te Bheag is actually one of the cheapest whiskies in the “$$” category, making it one of the best value buys. It is significantly cheaper than Johnnie Walker Black or Compass Box Great King St Artist’s Blend – two of the other top scoring mid-range blends. Famous Grouse Gold Reserve is the only blend that scores higher, for about the same price.

Here is what I find in the glass:

Nose: Sharp aromas, with definite peaty/smokey notes and some sherry influence. A medicinal iodine effect is present, as well as a distinctive glue aroma (the latter is not particularly appealing, personally). The sherry influence is unmistakable, although relatively light with just a bit of raisin and chocolate. There is also a dusty and dry aspect – which, when combined with the glue, gives the impression of old book bindings.  Smells sort of like Johnny Walker Black finished in a sherry cask for a period of time. Distinctive aroma for a blend, you could easily mistake this for a Scottish Island malt whisky.

Palate: Very Highland Park-like in its initial approach, with a peaty/smokey note tamed by sherried sweetness (plus some salty caramel here). A little tongue tingle, with a bit of leather (in a good way) and some mixed nuts. This initial profile could almost be described as succulent, promising something juicy to come (which never really arrives, though). A bit of bitterness soon creeps in (similar to HP 12yo), and there is a dry astringency effect that builds over time.

Finish: Medium length. Fortunately, the bitterness disappears quickly, and there is a lingering sweetness that carries you through to the end. There is no real resurgence of any of the original flavours though, and the peat/smoke disappears fairly quickly (unlike most peated single malts, where they linger longer). There’s nothing offensive here, but ultimately, like most blends, this one does fizzle out a little bit for me.

Te.BheagTé Bheag is a great value for what it is – a decent Scotch blend at an excellent price. It has noticeable traces of peated barley and sherry cask finishing – an uncommon combination in an inexpensive blend. Despite the Isle of Skye origin, I could see this as the poor man’s Highland Park. 🙂  Indeed, while it is challenging to equate blend scores with single malts, I am also struck by how well Te Bheag matches the more-expensive entry level HPs, as shown below:

Té Bheag: 8.54 ± 0.32 on 12 reviews ($$)
Highland Park Dark Origins: 8.49 ± 0.52 on 15 reviews ($$$$)
Highland Park 10yo: 8.53 ± 0.29 on 11 reviews ($$$)
Highland Park 12yo (2014 onward): 8.39 ± 0.40 on 10 reviews ($$$)
Highland Park 12yo (all reviews): 8.68 ± 0.23 on 19 reviews ($$$)

Something to consider if you are a fan of the lightly peated and sherried style, but are on more of a budget.

At the end of the day, I think the overall Meta-Critic score here is reasonable. There is definitely more going on in this blended whisky than in the more expensive Johnnie Walker Black label. But there are also a few rougher edges here that some drinkers of simpler blends may not be used to.  I do think it is fair to say that Te Bheag is closer to an entry level single malt than a typical blend.

Nathan the Scotch Noob and Jason of In Search of Elegance both rank this whisky similarly (and match my own view). Dominic of the Whisky Advocate is even more positive, and Ralfy gives it probably the most enthusiastic review I’ve seen.

Collingwood 21 Year Old Rye

It is a little odd to be reviewing a limited-run whisky that came out over 2 years ago, as you are unlikely to be able to find this whisky anymore.  But I recently had the opportunity to taste and review this whisky blind, which led to some interesting observations (to me, at any rate).

It seems that few reviewers want to publicly reveal the results of blind taste testing (possibly because the results are likely not to put them in a good light). 😉  The experience of the Scotch Noob on this front is revealing. I personally have a lot respect for reviewers who are willing to put themselves out there with blind tasting notes.

The Collingwood 21yo was a bit of an unusual experiment for this Canadian distiller. Some 50 oak barrels of malted rye were set aside to age at the distillery. In 2013, these were married in a vat with toasted maplewood (just like regular Collingwood whisky), and released in time for Christmas 2013 (where it was ~$60 at the LCBO, I believe).

I received a blind sample of this whisky from Redditor Devoz. All I knew was that it was a Canadian whisky, bottled at 40% ABV. Here is what I found in the glass, as posted in my blind review on Reddit:

Blind Tasting Notes:

Nose:  Very sweet, with some corn syrup-like characteristics. Lighter fruits, like pear and green apple, and darker fruits like red plums and raisins.  There is a rich creaminess as well, with a slight chocolate note. Not getting much in terms of classic rye notes. No apparent solvent smells, which is a definite bonus. A nice nose, distinctive for a Canadian rye.

Palate:  Brown sugar sweetness up front, with the traditional rye baking spices following immediately after (cinnamon and nutmeg in particular). Not too spicy, but more than I expected from the nose. Very sweet and creamy – I can imagine people calling this “smooth”. Darker fruits show up more now (especially figs and raisins).  Slightly oaky. Sweet syrup returns at the end.

Finish:  Medium length. No bitterness, but not much going on here. Basically, somewhat bland and gentle, but in a good way (if that is possible).  Light sweetness and a touch of cinnamon persist to the end.

Interestingly, I mistakenly believed that this blind sample was a traditional Canadian rye blend, given that the rye spices weren’t very strong (i.e., I felt it didn’t have enough kick to be a straight rye). There was also a definite sweetness here that I found reminiscent of corn whisky, reinforcing the idea that this was a blended Canadian whisky. Quality-wise, I gave it a slightly below average score, as I didn’t find it particularly complex or interesting for its flavour characteristics.

Given the reveal, I suspect the extended barrel aging (and marrying in toasted Maplewood) introduced greater barrel sweetness, and softened the rye expression. This would be consistent with my “smooth” observation above, as well as the lack of any off notes (which can commonly occur on younger Canadian whiskies). I note that Davin of Canadian Whisky particularly emphasized the “smoothness” of this whisky in his review.

Here is how the Collingwood 21yo compares to other aged Canadian whiskies in the Meta-Critic database:

Canadian Rockies 21yo: 8.97 ± 0.24 on 4 reviews ($$)
Century Reserve 21yo: 8.78 ± 0.21 on 9 reviews ($$)
Collingwood 21yo: 8.66 ± 0.45 on 9 reviews ($$$)
Danfield’s 21yo: 8.68 ± 0.51 on 11 reviews ($$)
Gibson’s Finest Rare 18yo: 9.11 ± 0.38 on 10 reviews ($$$$)
Highwood Ninety Rye 20yo: 8.94 ± 0.22 on 9 reviews ($$)
Wiser’s 18yo: 8.71 ± 0.42 on 14 reviews ($$$)

The Collingwood 21yo is clearly at the lower end of the score range for aged Canadian whiskies.

Having re-sampled it after the reveal, I’m not inclined to change my score or overall flavour assessment. I believe this particular expression may be a bit over-aged, as it is soft in flavour overall, and rather gentle on the way out. The relatively low 40% ABV doesn’t help either – this is one Canadian whisky that likely would have benefited from being bottled at higher strength. All that said, it does have a very nice nose.

Personally, I still think its flavour characteristics and overall quality place it more in-line with the following budget-minded ($) whiskies:

Forty Creek Copper Pot Reserve: 8.71 ± 0.41 on 12 reviews ($)
Forty Creek Barrel Select: 8.59 ± 0.41 on 13 reviews ($)
Hiram Walker Special Old Rye: 8.23 ± 0.41 on 9 reviews ($)
Wiser’s Small Batch: 8.57 ± 0.27 on 11 reviews ($)
Canadian Club 100% Rye: 8.54 ± 0.42 on 9 reviews ($)

Collingwood.21For additional reviews of this whisky, you could check out Jason of In Search of Elegance, and André and Patrick of Quebec Whisky. I certainly concur with them on how soft this rye is – although I don’t personally find it as strongly floral.  I am surprised to note that some reviewers find a lot of rye here, like Davin of Canadian Whisky and Michael of Diving for Pearls. But Beppi of the Globe and Mail experiences it as more Cognac-like, which I think is a better relative fit for this whisky.

While it was certainly an interesting experience to taste and review blind, I don’t think this whisky is necessarily worth seeking out, except for its uniqueness. There are higher quality aged expressions currently available at comparable or lower prices.

 

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