Tag Archives: Wine

Hibiki Blender’s Choice

The discontinuation of the classic Hibiki 17 year old last year was a blow to fans of this classic Japanese blended whisky. But it was softened somewhat in Japan with the release of a new Japan-only “premium no-age-statement” Hibiki Blender’s Choice last September.

For newcomers to Japanese whisky, all the recent hype can seem a bit mystifying. It is not like most expressions from heavy-weights Suntory or Nikka (or the smaller players) have some unique flavour profile. They are mainly well done examples of lighter scotch-style whiskies (both malts and blends), with a focus on the integration of delicate flavours. While certain fruit and wood notes can be distinctive, it is less a question of kind than it is of consistent quality. As discussed in my recent 5-year retrospective, I’ve watched Hibiki 17yo rise from common availability (at 7,500 Yen), to near impossibility to find (at >40,000 Yen) – due to demand, and a relative lack of aged stocks.

While this new release lacks an age statement, word spread quickly that it consists of whiskies aged 12-30+ years of age, with an average age of around 15 years. As such, people naturally hoped this would be a replacement of sorts for the discontinued 17yo. But this was clearly not the intent, as a few wine cask-aged whiskies were also included in the blend, to produce a new and distinctive profile.

Hibiki Blender’s Choice was initially intended for interior bar sale only, through Suntory’s wholesale/industry distribution channels in Japan. Of course, it didn’t take long for bottles to find their way onto some store shelves – albeit at much higher prices than the rumoured internal bottle price of 10,000 Yen.  In my recent travels in Japan, I came across only 3 stores that carried it (one without a box for 17,800 Yen, and two stores with a box for 19,800 Yen and 29,800 Yen each). The boxes suggest they were intended for retail sale. I picked one up at the lower 19,800 Yen price.

There are not many reviews of this one yet, so I’m not able to add it to my Meta-Critic Whisky Database yet. But here is how some other Hibiki expressions compare in my database.

Hibiki 12yo: 8.62 ± 0.24 on 21 reviews ($$$$)
Hibiki 17yo: 8.76 ± 0.32 on 17 reviews ($$$$$)
Hibiki 21yo: 9.14 ± 0.24 on 10 reviews ($$$$$+)
Hibiki Harmony: 8.37 ± 0.52 on 19 reviews ($$$$)
Hibiki Harmony Master’s Select: 8.29 ± 0.65 on 7 reviews ($$$$$)

Personally, I’d give both the 17yo and Harmony slightly higher scores than the average ratings above. The 12yo and Master’s Select average scores sound about right to me, and I find the 21yo score is a bit inflated.

Let’s see what I find in the glass for my bottle of Hibiki Blender’s Choice:

Nose: Reasonably sweet, with rich toffee notes and some vanilla. I get a distinctive rice pudding sensation, which is novel. Green apple, pineapple, and peaches. Also those same fruit flavours in Meiji Japanese gummies (the ones made with 100% fruit juice). Canberries and red currants. A dry bark note (woody), which is distinctive. A little rubber and a touch of glue. Something else I can’t quite place, likely from fresh wine casks.

Palate: The toffee, creamy rice pudding and green apples from the nose dominate. The cranberries come across more as dried now. Apple and pineapple juice. Wood spice picks up, mainly lighter all spice, nutmeg and cinnamon. Glue note turns slightly ashy (which I like). Very distinctive for an unpeated whisky. A touch astringent on the swallow.

Finish: The woodiness returns immediately on the swallow – not a perfumy Mizunara oak, but a softer and gentler tree bark type (if that makes sense). Caramel from the wood picks up too. Dry and astringent overall, keeps you sipping repeatedly. The fresh wine casks come through again, but subtly – reminds me of those Sweet Tarts candies from my childhood.

This is distinctive for a Japanese whisky. Initially, I wasn’t quite sure what to make of it – it is very different from the old Hibiki 17yo. But it grows on you. Of note, my wife (who liked the old 17yo and is typically not a fan of wine cask finishes) quite enjoyed this one as well.

Probably the closest thing to Blender’s Choice in my experience is Green Spot Chateau Leoville Barton. Both have a relatively gentle base spirit, with clear influence of fresh red wine casks. The Irish offering is a bit sweeter though, and not as drying on the finish as this Hibiki release.

Again, there are not too many reviews of this one, but you can check out Nomunication for a detailed review, and Forbes for a brief one. Personally, I’d score it one point less than the 17yo – so, say a 8.8 on my personal version of the Meta-Critic scale. A very nice whisky, I found it growing on me on successive tastings.

Arran Malt Amarone Cask Finish

I have tried a number of Arran Malt whiskies over the years, and find them generally decent enough, if not overly interesting (at the younger ages, at least). Of the ones I have tried so far, the best experience has been the 12 year old cask-strength, where the extra ABV seems to have really brought up the core Arran flavours.

I tend to enjoy most cask finished whiskies, so I’ve been curious to try the higher-strength cask-finished Arrans. In this review, I look at one of the more unusual finishes, the Arran Malt Amarone Cask Finish.

Amarone is a type of dry Italian red wine made from partially-dried grapes from the Valpolicella region (mainly Corvina). This drying produces a very rich and concentrated wine, full of fruit flavours. Apparently, in Italian, the name Amarone literally means “the great bitter”, which does differentiate these wines from more common sweeter red wines.

It is far more common to use fortified sweet wines (like sherry) for finishing whisky, so I was curious as to what effect Amarone barrels would have on the relatively gentle Arran base malt. Bottled at 50% ABV, it was $93 CAD when last available at the LCBO.

Here is how the various Arran Malts compare in my Meta-Critic database, first among standard bottling, then among wine cask-finished bottlings:

Arran Malt 10yo: 8.51 ± 0.29 on 20 reviews ($$$)
Arran Malt 12yo Cask Strength: 8.65 ± 0.38 on 12 reviews ($$$$)
Arran Malt 14yo: 8.67 ± 0.26 on 21 reviews ($$$$)
Arran Malt 17yo: 8.85 ± 0.24 on 10 reviews ($$$$)
Arran Malt 18yo: 8.93 ± 0.13 on 14 reviews ($$$$$)
Arran Malt Bourbon Single Cask: 8.88 ± 0.20 on 9 reviews ($$$$)
Arran Malt Lochranza Reserve: 8.07 ± 0.56 on 4 reviews ($$$)
Arran Malt Machrie Moor Peated: 7.90 ± 0.56 on 12 reviews ($$$$)
Arran Malt Orkney Bere Barley: 8.82 ± 0.31 on 8 reviews ($$$$)
Arran Malt Robert Burns Single Malt: 8.14 ± 0.49 on 7 reviews ($$)
Arran Malt Sherry Single Cask: 8.55 ± 0.54 on 10 reviews ($$$$)
Arran Malt The Devil’s Punch Bowl: 8.89 ± 0.31 on 9 reviews ($$$$$)

Arran Malt Amarone Cask Finish: 8.77 ± 0.34 on 10 reviews ($$$)
Arran Malt Madeira Wine Cask: 8.67 ± 0.43 on 11 reviews ($$$$)
Arran Malt Napoleon Cognac Finish: 8.72 ± 0.69 on 5 reviews ($$$$)
Arran Malt Pomerol Bordeaux Cask Finish: 8.34 ± 0.66 on 8 reviews ($$$$)
Arran Malt Port Cask Finish: 8.61 ± 0.38 on 11 reviews ($$$)
Arran Malt Sassicaia Wine Cask Finish: 8.76 ± 0.17 on 5 reviews ($$$$$)
Arran Malt Sauternes Finish: 8.52 ± 0.32 on 12 reviews ($$$)
Arran Malt Sherry Cask Finish: 8.31 ± 0.55 on 11 reviews ($$$$$)
Arran Malt Tokaji Aszu Wine Finish: 8.79 ± 0.35 on 4 reviews ($$$$)

As you can see, the Arran Amarone Finish gets one of the highest scores for a wine casks-finished Arran, comparable to the moderately-aged Arran malts.

As an aside, Arran has really specialized in finishing their young whisky in a number of unusual casks types. Only a limited number of these are shown above, as I only track expressions that have received a reasonable number of reviews (and many are no longer available). But this strategy is one way to get your product on the market and garner attention, while you wait for batches to age. Of course, that’s assuming you have paired your product wisely.

My sample of the Arran Amarone Finish was obtained through a swap with the Redditor Throzen. Here is what I find in the glass:

Colour: An unusual pinkish hue, almost like a rose wine.  I’ve never seen anything quite like it (Arran doesn’t artificially colour this expression).

Nose: Unsweetened raspberry jam, with cranberries, green grapes, ground cherries (gooseberries) and sour cherries. A bit of citrus. Sweet vanilla. Creamy. A bit of paint thinner and acetone initially, but these fade with time in the glass. Water increases both the sweetness and sourness of the fruit, but adds no new notes.

Palate: Unsweetened fruit compote in a glass, with a strong emphasis on the tart notes (sour cherries and citrus). Strong oaky vanilla. Earthy, with some mild nutmeg. A touch of chocolate adds to the character here. Hot on the way out, even for 50% ABV (i.e., fair amount of ethanol burn). With water, the top berry/cherry notes get sweeter. Water doesn’t seem to do much for the burn, unless you add a fair amount (i.e., takes awhile to get the sting down).

Finish: Medium. The fruit notes turn more toward dry strawberry paste, and the grapes pick up again. A noticeable astringent dryness comes in at the end, with some bitterness. The raw ethanol fumes from the palate persist here, even with water – making for a distinctive experience (but not a particularly pleasant one). Water is generally helpful throughout, and enhances the lingering sweetness (but doesn’t affect the bitterness).

Arran.Malt.AmaroneFinishing the base Arran malt in dry, but flavorful, Amarone barrels makes for an interesting set of counterpoints (i.e., it’s sweet on the nose, but drying on the finish). I haven’t come across quite this flavour profile before, and it is always fun to experience something new.

That said, I’m thinking there’s a reason why most producers don’t use Amarone casks – the effect is a bit too tart and drying. The youthful aspects of the Arran malt are still coming through as well. In the end, I’m not sure how successful a pairing this really is – it might have helped to start with an older malt, with more inherent character. Or a sweeter one – see for example my recent review of the Green Spot Chateau Leoville Barton. In any case, water is certainly called for here – a little bit helps bring up the fruitiness, without affecting the ethanol burn.

There’s actually a fair amount of variability among reviewers on this one. Jim Murray is a big fan, as are the guys at Quebec Whisky. In contrast, Tone of Whisky Saga and Josh the Whiskey Jug are among the most negative I’ve seen. Reviews are generally fairly positive on Reddit (see for example TOModera), although unclimbability gives it an average score. I am personally somewhere near the lower end of the score range, giving it a slightly below average score for the single malt class. I like the novelty, but I can’t see myself reaching for it very often.

 

Green Spot Chateau Leoville Barton

Following up on my review of the standard Green Spot, this is a relatively rare example of a wine-cask-finished Irish whiskey – Green Spot Chateau Leoville Barton.

Château Léoville Barton is a grand cru Bordeaux wine-maker, but one with Irish roots.  The Chateau takes its name from the family of the 18th century Irish merchant Thomas Barton, and is still run by his descendants to this day.  So when Midleton began to experiment with secondary maturation of their whiskies in novel casks, this shared heritage must have seemed like a natural fit.

This whisky starts out as the traditional Green Spot pot still whisky, aged in a mix of 75% ex-bourbon casks and 25% Oloroso sherry casks for 7-10 years. For this expression, it then gets transferred into French Oak Leoville Barton Bordeaux wine casks for an additional 12 to 24 months of aging. It is thoughtfully bottled at 46% ABV (as opposed to 40% for regular Green Spot), and is neither chill-filtered nor coloured.

Typically, I am a fan of fortified-wine finishes for delicate whiskies, as it can add a lot of extra complexity (when well-matched to the underlying base spirit).  My experience with regular wine barrel finishes is more mixed however, as this can some times introduce an odd sourness to the final product, with a mismatch of competing flavours. So I was curious to see how this expression would perform.

As usual, let’s start with how it compares in my Meta-Critic database to other high-end Irish whiskies, including various winey cask finishes:

Bushmills Black Bush: 8.35 ± 0.41 on 20 reviews ($$)
Bushmills Sherry Cask Reserve: 8.20 ± 0.43 on 3 reviews ($$$$)
Green Spot: 8.47 ± 0.39 on 16 reviews ($$$)
Green Spot Château Léoville Barton: 8.82 ± 0.34 on 7 reviews ($$$$)
Knappogue Castle 14yo Twin Wood: 8.12 ± 0.69 on 4 reviews ($$$$)
Knappogue Castle 16yo Twin Wood: 8.79 ± 0.47 on 5 reviews ($$$$)
Midleton Barry Crockett Legacy: 9.03 ± 0.18 on 6 reviews ($$$$$)
Midleton Dair Ghaelach: 9.09 ± 0.29 on 7 reviews ($$$$$)
Midleton Very Rare (all vintages): 8.81 ± 0.50 on 11 reviews ($$$$$)
Powers 12yo John’s Lane: 8.80 ± 0.41 on 13 reviews ($$$$)
Redbreast All Sherry Single Cask 1999: 8.43 ± 0.90 on 4 reviews ($$$$$)
Redbreast Lustau Edition: 8.81 ± 0.39 on 4 reviews ($$$$)
Redbreast Mano a Lámh: 8.65 ± 0.44 on 3 reviews ($$$)
Teeling Silver Reserve 21yo Sauternes Finish: 8.90 ± 0.33 on 10 reviews ($$$$$)
Teeling Single Grain (Wine Cask Finish): 8.53 ± 0.32 on 10 reviews ($$$)
Tyrconnell 10yo Madeira Cask Finish: 8.55 ± 0.39 on 10 reviews ($$$$)
Tyrconnell 10yo Port Cask Finish: 8.54 ± 0.37 on 10 reviews ($$$$)
Tyrconnell 10yo Sherry Cask Finish: 8.32 ± 0.16 on 5 reviews ($$$$)

My sample was obtained through a swap with the user Throzen on the reddit whisky network. Released in small batches each year, it is currently available at the LCBO for $90 CAD for a 700mL bottle.

Let’s see what I find in the glass:

Colour: A slight reddish hue added to standard Green Spot.

Nose: Thick raspberry jam and blueberry fruit compote jump right up your nostrils! A luscious nose, with all kinds of sweet, ripe berry notes. Lots of honey. Oatmeal cookies. Some vanilla. The initial difference from standard Green Spot is astounding, with the wine cask dominating. But with time, I can start to pull out those more subtle lemon curd and buttery notes that are coming from the base spirit. Faintest touch of acetone. With water, the honey notes are further heightened, along with some dark fuits (figs?). It’s worth a little splash.

Palate: Very creamy, with the luscious fruit medley leading the way. Slight sourness, like sour cherry. Some lemony citrus again, maybe some orange too. A little bit of burn, likely due to the higher 46% ABV. Mouthfeel and taste seems a bit fudge-like, actually. Similar baking spice as the regular Green Spot, and vanilla too – a good mix. The dry oakiness reasserts itself at the end. Water increases the honey sweetness and earthiness (same as on the nose), and softens the burn.

Finish: Medium long. Lots of cereal notes showing up now, and the spiciness lasts a surprising length of time. Also the vanilla.  This is a lot more layered and longer-lasting than most Irish whiskeys I’ve had.

No doubt about it, that was a unique experience – one of the best wine barrel finishings I’ve come across yet. Green Spot is a bit of an open slate in some ways – and this nicely tells a great story all around it. But the original Green Spot is still there, buried under a jammy fruit avalanche.

It is quite an enchanting mix actually, and much better than what I normally see for wine casks finishes. And by all means, feel free to play around with a little water on this one – a small amount actually increases the aromas.

I would actually rank it slightly higher than the Meta-Critic average. Recently brought back to the LCBO, I recommend you pick one up while you still can (the Midleton “spot” family tends to sell out quickly, I’ve noticed). Surprisingly, it only costs $5 more a bottle over the regular Green Spot. It’s worth that on the extra 6% ABV alone!

The must enthusiastic reviews I’ve seen for this whisky probably come from Josh the Whiskey Jug and Richard of Whiskey Reviewer. Nathan the Scotch Noob, Jonny of Whisky Advocate and Throzen and xile_ of Reddit are also all very positive. Jim Murray (who is a big fan of regular Green Spot) is the only negative review I’ve seen for this expression.